“Detail of the head from the monumental terracotta statue of Apollo, which was an acroterion crowning the roof of the Portonaccio Temple in Veii. This masterpiece of Etruscan sculpture from the end of the sixth century BC has been variously...
“One of the finest – and most controversial – works of third-century relief sculpture is the fragmentary sarcophagus found at Acilia, near Rome. It is an example of a later form of Roman coffin that art historians call the lenos (bathtub)...
“One of the finest – and most controversial – works of third-century relief sculpture is the fragmentary sarcophagus found at Acilia, near Rome. It is an example of a later form of Roman coffin that art historians call the lenos (bathtub)...
Sculpture; Architectural elements; Structural elements; Columns; Portraits; Group portraits; Men; Emperors; Rulers; People associated with politics & government; Upper class; Standing; Hugging; Clothing & dress; Armor; Capes (Clothing);...
“Porphyry sculpture of the four emperors of the Tetrarchy. It shows the four rulers in a cordial embrace intended as an expression of concordia, or agreement. Originally located in Constantinople, the sculpture was plundered during the Crusade of...
Sculpture; Architectural elements; Structural elements; Columns; Portraits; Group portraits; Men; Emperors; Rulers; People associated with politics & government; Upper class; Standing; Hugging; Clothing & dress; Armor; Capes (Clothing);...
“Porphyry sculpture of the four emperors of the Tetrarchy. It shows the four rulers in a cordial embrace intended as an expression of concordia, or agreement. Originally located in Constantinople, the sculpture was plundered during the Crusade of...
Allen R. Hite Art Institute; Drawings; Paintings; Photographs; Prints
117 exhibition catalogs dating from 1947-1978. Overall, the exhibition program was robust and ambitious, including painting, drawing, sculpture, printmaking and photography as well as architecture and city planning. Works of many countries and many...
Sculpture; Heads (Anatomy); Portraits; Emperors; Rulers; People associated with politics & government; Men; Hairstyles; Crowns; Headdresses; Headgear; Leaves; Symbols
"[…] this portrait probably came from the forum's Augusteum (a shrine dedicated to the imperial family). […] In this portrait, the hair is combed forward, with short bangs over the forehead, formed by straight and regularly laid locks that...
Sculpture; Portraits; Women; Empresses; Rulers; People associated with politics & government; Goddesses; People associated with religion; Supernatural beings; Fictitious characters; Myths; Legends; Standing; Clothing & dress; Robes; Veils;...
"[…] this statue of Livia, wife of Augustus, underwent not only many modern restorations but also additions such as the arms, the cornucopia, part of the crown of flowers, and large pieces of veil around the neck. Given these circumstances,...
"Alice Aycock […] bases her forms on the logic of the imagination. […] Aycock revels in conjuring the past. The rich associative content of her sculpture is often nurtured by fanciful titles and accompanying texts that refer to history,...
"Bojewyan is a small village near St. Just in Cornwall, England. At the time of the painting local farmsteads were falling empty because they were uneconomic. Lanyon saw this as a serious threat to the region. His painting contains hints of a...
"Duchamp's most outrageous Ready-Made was a urinal that he submitted as a sculpture to a New York exhibition mounted by the Society of Independent Artists in 1917. He turned it upside down, signed it 'R. Mutt' and called it a Fountain. The...
Sculpture; Metalwork; Maps; Industrialization; Industry; Economic & social conditions; Social aspects; Industrial arbitration; Social classes; Wealth; Poverty; Economic & industrial aspects
"Fabro made his first sculpture in the Italia series in 1968. Dozens of variations followed in subsequent years. Another theme established in 1968 was that of 'Feet'. This involved the artist in producing a series of bizarre sculptural...
Photographs; Composite photographs; Montages; Justice; Social justice; Social values; Economic & social conditions; Moral & ethical aspects; Ethics; Alcoholism; Men; Sleeping; Artists; Sculptors; Photographers; Heads (Anatomy); Faces;...
"Gilbert and George's presence in their photo-works can be seen as an extension of their early performance activities. They often stand apart from the other imagery in the pieces as though acknowledging the artifice involved. Moral conundrums...
"Hesse produced a series of versions of this sculpture during 1967-8. They set up an interesting dialogue with [Donald] Judd's frequent exposure of the interiors of his 'boxes'. They also respond obliquely to an iconographic tradition of...
"In contrast to Mesopotamia and Egypt, no temples or monumental statues of gods, kings, or monsters have been found in Minoan Crete. Large wooden images may once have existed, but what remains of Minoan sculpture in the round is small in...
Sculpture; Metalwork; Abstract sculpture; Abstract works
"In formal terms, this sculpture manages to harmonize the claims of an aspiring, organic element within and the protective, enveloping characteristics of an outer casing. This is achieved via Moore's signature 'holes'. (Caption, p.68);...
Paintings; Oil paintings; Portrait paintings; Allegorical paintings; Allegories; Symbols; Irony; Allusions; Politics & government; Economic & political systems; Economics; Political elections; Political campaigns; Rooms & spaces;...
"In this painting Haacke's use of allegorical detail has an ironic air of academic exactitude. For instance, the marble sculpture of Pandora, pointedly placed on the Victorian table next to Margaret Thatcher, is based on one produced in 1890...
"Judd's industrially manufactured, modular pieces, developed from 1966 onwards, were stubbornly empirical investigations of specific materials and visual effects. He shunned mystification and openly declared the nature of his structures. The...
"Prometheus and Hercules, a sculpture by Koch, sits on the windowsill between the artist and his model." (excerpt from: Lopate, Phillip, et al. John Koch: Painting a New York Life. New York: Historical Society; London: Scala, 2001, p.66)
