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(481 results)



Display: 20

    • Magritte beside The Savage (Le barbare).

    • Magritte beside The Savage (Le barbare).

    • Photographs; Portrait photographs; Portraits; Men; Adults; Artists; Painters (Artists); Sculptors; Photographers; Posing; Clothing & dress; Bowler hats; Hats; Headgear; Coats; Paintings; Oil paintings; Allusions; Literature; Illustrations;...

    • Painting destroyed during the London blitz (photograph shows the artist, 1938, [and Fantomas, a character in the early twentieth-century pulp fiction novels by Pierre Souvestre and Marcel Allain.]). The Savage (Le barbare): c. 1928.
    • Composition with Three Figures (Neo-Cubist Academy).

    • Composition with Three Figures (Neo-Cubist Academy).

    • Paintings; Oil paintings; Fantasy; Allusions; Symbols; Sex; Relations between the sexes; Lust; Gays; Martyrs; Saints; People associated with religion; Sailors; Men; Women; Bathing beauties; Portraits; Self-portraits; Nudes; Muscles; Standing;...

    • "One of Dali's greatest paintings from the mid-1920s, not exhibited since 1927. The influence of Picasso is manifest. It develops the theme of Saint Sebastian that so fascinated Lorca [Federico García Lorca] and Dali." (Caption);...
    • Dialogue on the Beach (Unsatisfied Desires).

    • Dialogue on the Beach (Unsatisfied Desires).

    • Paintings; Oil paintings; Mixed media; Allusions; Symbols; Fantasy; Communication; Fear; Disgrace; Anxiety; Distress; Loneliness; Despair; Lust; Sex; Relations between the sexes; Body parts; Human body; Genitals; Hands; Fingers; Beaches

    • "The painting they refused to show in Barcelona." (Caption); "One of the most sexually provocative of the summer's paintings was Dialogue on the Beach, whose much later title, Unsatisfied Desires, clarifies its theme. The hand on the...
    • Galarina.

    • Galarina.

    • Paintings; Oil paintings; Portrait paintings; Portraits; Women; Spouses; Breasts; Clothing & dress; Shirts; Jewelry; Rings; Bracelets; Hairstyles

    • "Perhaps Dali's most honest appraisal of his Muse." (Caption); "[Dali] told his family about the portrait of Gala on which he had been working every day for six months. It was painted 'like a Vermeer', and everyone who saw it was...
    • The Madonna of Port Lligat.

    • The Madonna of Port Lligat.

    • Paintings; Oil paintings; Symbols; Catholicism; Christianity; Women; Spouses; Mothers; Saints; Children; Infants; People associated with religion; Sitting; Floating; Prayer; Clothing & dress; Hairstyles; Thrones; Chairs; Seating furniture;...

    • First version; "Dali's atomic variation on the Assumption, with Gala as tutelary goddess of Port Lligat." (Caption); Dali's first 'religious painting', designed to ingratiate himself with Church and State, was The Madonna of Port Lligat,...
    • The Profanation of the Host.

    • The Profanation of the Host.

    • Paintings; Oil paintings; Fantasy; Symbols; Allusions; Disgrace; Anxiety; Distress; Sex; Lust; Relations between the sexes; Heads (Anatomy); Women; Men; Fathers; Nudes; Body parts; Lions; Animals; Ants; Locusts; Insects; Chalices; Drinking vessels;...

    • "Dali's variation on Paolo Uccello's work of the same title, this is probably his most sacrilegious painting." (Caption); The Profanation of the Host […] is one of Dali's most sacrilegious paintings (although later he tried to exonerate...
    • Leda Atomica.

    • Leda Atomica.

    • Paintings; Oil paintings; Fantasy; Symbols; Myths; Legends; Mathematics; Physics; Atoms; Portraits; Women; Spouses; Nudes; Breasts; Hairstyles; Sitting; Gestures; Floating; Flying; Birds; Swans; Animals; Cliffs; Beaches; Coastlines; Seas; Bodies of...

    • "Gala-Leda rendered 'in accordance with the modern "nothing touches" theory of intra-atomic physica' (Dali)." (Caption); Dali himself was only too happy to admit his debt to Gala. In the early 1930s he had begun to sign his...
    • Young Gaul, front view.

    • Young Gaul, front view.

    • Sculpture; Portraits; Youth; Young adults; Clothing & dress; Hairstyles; Mustaches

    • Discovered in Reims (France). "This sculpture demonstrates the capacity of Roman artists to synthesize widely divergent influences and draw upon diverse styles. It shows that Roman art was capable of addressing very different concerns while...
    • Untitled, detail.

    • Untitled, detail.

    • Performance art; Signs (Notices); Stripes; Patterns (Design elements); Men; Backs (Anatomy); Clothing & dress; Suits (Clothing); Walking; Automobiles; Vehicles; Sidewalks; Trees; Plants; Details

    • "This is an early example of Buren's use of stripe motifs in a public context. He has continued the practice to the present. For instance, in 1997 in Munster, Germany, his contribution to a festival of site-specific sculpture consisted of...
    • Untitled.

    • Untitled.

    • Performance art; Signs (Notices); Stripes; Patterns (Design elements); Men; Backs (Anatomy); Clothing & dress; Suits (Clothing); Walking; Automobiles; Vehicles; Sidewalks; Trees; Plants

    • "This is an early example of Buren's use of stripe motifs in a public context. He has continued the practice to the present. For instance, in 1997 in Munster, Germany, his contribution to a festival of site-specific sculpture consisted of...
    • European Mail-Order Warehouse/Fluxshop.

    • European Mail-Order Warehouse/Fluxshop.

    • Photographs; Montages; Promotional materials; Sales catalogs; Publicity; Publicity photographs; Advertisements; Advertising; Mail-order businesses; Business enterprises; Business & finance; Commerce; Art objects; Women; Hairstyles; Sitting;...

    • Originally arranged for photograph and reassembled 1984 by Jon Hendricks as installation, Contemporary Arts Museum, Houston, Texas; "This is an installation which closely follows a promotional photographic montage for de Ridder's distribution...
    • Poseidonia [Paestum], Italy, plan, c. 500 BCE.

    • Poseidonia [Paestum], Italy, plan, c. 500 BCE.

    • Architecture; Cities & towns; Drawings; Architectural drawings; Plans; City planning; Streets; Roads; Forums; Gates; City walls; Walls; Buildings; Temples; Religious facilities

    • Shows "the outline of the city wall, the regularized street plan, the urban sanctuaries of Athena and Hera, the agora, the suburban sanctuary of Aphrodite at Santa Venera (and the site of the later Roman forum)." (Caption, p.139); Also...
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