"The Child-Woman is Gala, who appears here for the first time in Dali's work." (Caption); "Meanwhile, Dali had painted the first major work in which he alluded directly to the relationship with Gala that was partially to blame for...
Woodblock prints of, from top to bottom starting at left: village scene, with crowds staring at man dressed in black, holding hat in hand, carrying cane, and approaching seated man; person rowing boat in choppy water; man on white horse riding...
Woodblock prints of, from top to bottom starting at top left: portrait of man with wavy hair, beard, and mustache; man stacking sheaves of wheat while another man harvests wheat; woman lying in bed staring out window at church and sunshine, while...
Character portrait of performer and producer Lotta Crabtree staring directly at the camera, wearing a thick chain around her neck. Charlotte "Lotta" Crabtree, also known as Little Lotta, was born November 7, 1847 in New York City, and...
Three-quarter length character portrait of performer and producer Lotta Crabtree staring directly at the camera with hand on hip, wearing a military-style belted dress with bands on sleeves and skirt and a thick chain around her neck. Charlotte...
Character portrait of performer and producer Lotta Crabtree staring directly at the camera with arms folded, wearing a dress with bands on sleeves and a thick chain around her neck. Charlotte "Lotta" Crabtree, also known as Little Lotta,...
"Dali's variation on Paolo Uccello's work of the same title, this is probably his most sacrilegious painting." (Caption); The Profanation of the Host […] is one of Dali's most sacrilegious paintings (although later he tried to exonerate...
