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Display: 20

    • Sanctuary of Jupiter, Baalbek, Lebanon, aerial view.

    • Sanctuary of Jupiter, Baalbek, Lebanon, aerial view.

    • Architecture; Archaeological sites; Ruins; Buildings; Temples; Religious facilities; Facades; Architectural elements; Structural elements; Columns; Colonnades; Podiums; Plazas; Courtyards; Gates; Walls; Aerial photographs; Aerial views; Bird's-eye...

    • “The first part of the project, which began perhaps as early as Augustus, was a grandiose temple to Jupiter; an inscription suggests it was completed by 60 CE. The Jupiter temple is a typical example of the compromise between Greek and Roman...
    • The Spirit of the Dead Watches (Manao Tupapau).

    • The Spirit of the Dead Watches (Manao Tupapau).

    • Paintings; Oil paintings; Girls; Youth; Teenagers; Nudes; Backs (Anatomy); Fear; Ghosts; Women; Dead persons; Supernatural beings; Supernatural; Beds; Furniture; Bedsheets; Pillows

    • “In various letters and diary notes the artist has explained how the preoccupation with ethnological problems, with the symbolism of colors, and certain literary concepts participated in the genesis of this canvas: ‘I painted the nude of a...
    • Still Life--Writing Table.

    • Still Life--Writing Table.

    • Paintings; Oil paintings; Still life paintings; Still lifes; Business & finance; Tables; Furniture; Books; Encyclopedias & dictionaries; Geography; Money; Coins; Greenbacks; Correspondence; Pens; Writing materials; Envelopes; Marks...

    • “In The Writing Table, eight meticulously described items are arranged on a cool green trompe-l’oeiled marble slab: a hefty leather-bound tome; a small shiny gold or copper coin; a sparkling silver coin; a roll of well-worn five-dollar bills;...
    • Sarcophagus of Cornelius Statius, front panel.

    • Sarcophagus of Cornelius Statius, front panel.

    • Sculpture; Sarcophagi; Coffins; Death & burial; Containers; Monuments & memorials; Memorial works; Inscriptions; Human life cycle; Childhood & youth; Domestic life; Child rearing; Breast feeding; Feeding; Lifting & carrying; Riding;...

    • "[…] this child's sarcophagus has been reassembled from many fragments. The front panel is, however, in fairly good condition, with a few missing pieces reconstructed from Carrara marble. […] This sarcophagus is among the earliest of the...
    • Dialogue on the Beach (Unsatisfied Desires).

    • Dialogue on the Beach (Unsatisfied Desires).

    • Paintings; Oil paintings; Mixed media; Allusions; Symbols; Fantasy; Communication; Fear; Disgrace; Anxiety; Distress; Loneliness; Despair; Lust; Sex; Relations between the sexes; Body parts; Human body; Genitals; Hands; Fingers; Beaches

    • "The painting they refused to show in Barcelona." (Caption); "One of the most sexually provocative of the summer's paintings was Dialogue on the Beach, whose much later title, Unsatisfied Desires, clarifies its theme. The hand on the...
    • The Great Paranoiac.

    • The Great Paranoiac.

    • Paintings; Oil paintings; Fantasy; Symbols; Optical illusions; Fear; Disgrace; Anxiety; Distress; Lust; Sex; Men; Women; Fathers; Nudes; Heads (Anatomy); Faces; Rocks

    • "The painting belonged to Edward James. Surely one of Dali's finest double images." (Caption); "Dali said that The Great Paranoiac had been conceived after a discussion with Josep María Sert about Arcimboldo, and that the...
    • Memory of the Child-Woman.

    • Memory of the Child-Woman.

    • Paintings; Oil paintings; Fantasy; Allusions; Symbols; Lust; Sex; Portraits; Men; Fathers; Hairstyles; Beards; Mustaches; Breasts; Flowers; Roses; Plants; Keys (Hardware); Clocks & watches

    • "The painting perhaps suggests that Dali's father, in the guise of William Tell (represented here as a bust), was not indifferent to the charms of Gala." (Caption)
    • The Profanation of the Host.

    • The Profanation of the Host.

    • Paintings; Oil paintings; Fantasy; Symbols; Allusions; Disgrace; Anxiety; Distress; Sex; Lust; Relations between the sexes; Heads (Anatomy); Women; Men; Fathers; Nudes; Body parts; Lions; Animals; Ants; Locusts; Insects; Chalices; Drinking vessels;...

    • "Dali's variation on Paolo Uccello's work of the same title, this is probably his most sacrilegious painting." (Caption); The Profanation of the Host […] is one of Dali's most sacrilegious paintings (although later he tried to exonerate...
    • Typology of Water Towers (groups A, B, C, and D).

    • Typology of Water Towers (groups A, B, C, and D).

    • Photographs; Architecture; Buildings; Industrial facilities; Water towers; Towers; Hydraulic facilities; Reservoirs; Waterworks; Architectural elements; Walls; Windows; Structural elements; Structural frames

    • One of six suites of nine photographs. "The Bechers' photographs of industrial structures, which they began in 1959, belong to the genres of documentary photography, sculpture, and industrial archaeology simultaneously, as well as having...
    • Blue Veil.

    • Blue Veil.

    • Paintings; Acrylic paintings; Abstract paintings; Abstract works

    • "In Louis's enormous 'veils' of the 1950s the physical operations of pouring paint or tilting a canvas so that the paint floods down it are powerfully implied." (Caption, p.28); "[Clement] Greenberg's conception of 'Modernism' as...
    • Augustus, front view.

    • Augustus, front view.

    • Sculpture; Portraits; Heads (Anatomy); Men; Emperors; Rulers; People associated with politics & government; Hairstyles

    • Portrait head. "This portrait has fundamental importance in the study of Augustan iconography. Both it and a very similar portrait in the Forbes collection are considered excellent examples of the Louvre type of Augustan portrait. [...] This...
    • Untitled, detail.

    • Untitled, detail.

    • Performance art; Signs (Notices); Stripes; Patterns (Design elements); Men; Backs (Anatomy); Clothing & dress; Suits (Clothing); Walking; Automobiles; Vehicles; Sidewalks; Trees; Plants; Details

    • "This is an early example of Buren's use of stripe motifs in a public context. He has continued the practice to the present. For instance, in 1997 in Munster, Germany, his contribution to a festival of site-specific sculpture consisted of...
    • Untitled.

    • Untitled.

    • Performance art; Signs (Notices); Stripes; Patterns (Design elements); Men; Backs (Anatomy); Clothing & dress; Suits (Clothing); Walking; Automobiles; Vehicles; Sidewalks; Trees; Plants

    • "This is an early example of Buren's use of stripe motifs in a public context. He has continued the practice to the present. For instance, in 1997 in Munster, Germany, his contribution to a festival of site-specific sculpture consisted of...
    • Saccho H8 (Sack H8).

    • Saccho H8 (Sack H8).

    • Paintings; Oil paintings; Abstract paintings; Abstract works; Bags; Stencils (Images); Numerals; Mixed media

    • "The sacks used in these canvases often displayed stenciled letters relating to their commercial origins. This suggests some link with the German prewar Dadaist, Kurt Schwitters who made collages from printed waste paper. However, Burri,...
    • Where Do We Come From? What Are We? Where Are We Going?

    • Where Do We Come From? What Are We? Where Are We Going?

    • Paintings; Oil paintings; Allegorical paintings; Allegories; Human life cycle; Indigenous peoples; Men; Women; Adults; Older people; Children; Youth; Girls; Infants; Nudes; Breasts; Backs (Anatomy); Clothing & dress; Bracelets; Jewelry;...

    • "Where Do We Come From? offers a flowing composition divided into three main figure groupings set in a jungle clearing with the sea in the background. In the center a Polynesian Eve, reminiscent of Botticelli's Giuliano de' Medici in the...
    • Caligula, front view.

    • Caligula, front view.

    • Sculpture; Portraits; Emperors; Men; Rulers; People associated with politics & government; Clothing & dress; Hairstyles; Sitting

    • Discovered in Rome on the Aventine Hill. "In this portrait, Caligula is shown seated. The body does not correspond to the head, which was subjected to numerous repairs over the course of the nineteenth century, when it was part of the Campana...
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