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    • Girl before a Mirror, detail.

    • Girl before a Mirror, detail.

    • Paintings; Oil paintings; Abstract paintings; Abstract works; Girls; Mirrors; Reflections; Mental states; Details

    • "Another stylistic shift in Picasso's work that was influenced by Cubism has been called Surrealism. This term literally means 'above real' and denotes a truer reality than that of the visible world. In the Girl before a Mirror of 1932,...
    • Oral history interview with Charles H. Parrish, Jr.

    • Oral history interview with Charles H. Parrish, Jr.

    • African Americans; African Americans--Education; African Americans--Social conditions; African American college teachers; African American educators; African American newspapers; Integration; Segregation in education; Race relations; Baptists;...

    • Oral history interview conducted with sociologist Charles H. Parrish, Jr. on December 1 and 14, 1976 and February 21, 1977 by Dwayne Cox and William Morison. Dr. Parrish discusses his father, Charles H. Parrish, Sr., who was a Baptist minister and...
    • Negro quarters, Mengelwood, Tennessee, 1920.

    • Negro quarters, Mengelwood, Tennessee, 1920.

    • African American men--Employment; Lumber industry; Laborers; Wood

    • A man walks down a dirt path toward a series of wooden buildings that house African American workers for the Mengel Company. Laundry hangs from the overhanging roof. A horse and cart stand in front of the buildings. The title of the photo, which...
    • A. E. Richards.

    • A. E. Richards.

    • Lawyers; Judges; Portraits

    • Adolphus E. Richards was born in Virginia in 1844. His education was interrupted by the Civil War, he served in the Confederate Army, where he rose to the rank of major before his twenty-first birthday. At the war's end, he returned to school,...
    • P. B. Muir.

    • P. B. Muir.

    • Lawyers; Judges; Portraits

    • Peter B. Muir was born in Nelson County, Kentucky, in 1822. He was orphaned at an early age and raised by his paternal grandfather, Dr. William Muir. After an early education in the country schools of Nelson county, he attended Hanover College....
    • Chas. G. Richie.

    • Chas. G. Richie.

    • Lawyers; Judges; Portraits

    • Charles Griffith Richie was born in Louisville in 1868. He attended Male High School, graduating in 1887. He was admitted to the law department of the University of Louisville, where he graduated with honors in 1889. In 1894, he was the Republican...
    • Wm. L. Dulaney.

    • Wm. L. Dulaney.

    • Lawyers; Judges; Municipal officials; Portraits

    • William LeRoy Dulaney was born in York, Ill., in 1838. He attended Centre College, graduating in1857. He read law under Judge W.V. Loving and was admitted to the bar in 1860. He served as city attorney of Bowling Green, Kentucky, in 1860 but joined...
    • Thomas Holman Hanks.

    • Thomas Holman Hanks.

    • Lawyers; Legislators; Portraits

    • Thomas H. Hanks was born in 1823 near Lawrenceburg, Kentucky. He received a common school education, and at the age of twenty-four was elected to represent Anderson County in the Kentucky legislature. He was elected circuit clerk of Anderson County...
    • Flood map, 1937.

    • Flood map, 1937.

    • Maps; Floods

    • Map of Louisville, Kentucky shows areas flooded by Ohio River in January, 1937. Map is surrounded on three sides by color illustrations commemorating Neville Miller's term as Mayor of Louisville from December 1933 to December 1937. The map, which...
    • Boîte-en-Valise, open.

    • Boîte-en-Valise, open.

    • Boxes; Containers; Luggage; Showcases; Merchandise displays; Commercialism; Art objects; Reproductions; Miniature works; Sculpture; Paintings; Photographs; Plumbing fixtures

    • "Duchamp's Boîte 'unpacked' in such a way that certain sections slid out to become free-standing display boards, whilst a sheaf of folders and black mounts bore other reproductions of works from his output. In all, it contained 69 items....
    • Boîte-en-Valise, open, center section, detail.

    • Boîte-en-Valise, open, center section, detail.

    • Boxes; Containers; Luggage; Showcases; Merchandise displays; Commercialism; Art objects; Reproductions; Miniature works; Sculpture; Paintings; Photographs; Plumbing fixtures; Details

    • "Duchamp's Boîte 'unpacked' in such a way that certain sections slid out to become free-standing display boards, whilst a sheaf of folders and black mounts bore other reproductions of works from his output. In all, it contained 69 items....
    • Metamorphosis of Narcissus.

    • Metamorphosis of Narcissus.

    • Paintings; Oil paintings; Fantasy; Optical illusions; Allusions; Symbols; Myths; Sex; Fear; Love; Self-interest; Poetry; Women; Men; Nudes; Gays; Dancers; Dance; Backs (Anatomy); Pedestals; Body parts; Hands; Fingers; Eggs; Landscapes...

    • "This is the painting Dali took to show Freud in London. It belonged formerly to Edward James." (Caption); "At Zürs […] Dali embarked on a new experiment: the composition, in French, of a 'paranoaic' poem, The Myth of Narcissus,...
    • Parallel of Life & Art.

    • Parallel of Life & Art.

    • Exhibitions; Art exhibitions; Photographs; Reproductions; Art objects; Art; Photojournalism; Science; Sculpture; Heads (Anatomy); Architecture; Interiors; Walls; Ceilings; Architectural elements; Windows; Draperies

    • Photograph of exhibition installation, ICA (Institute of Contemporary Arts), London, September-October 1953; "In this early Independent Group exhibition photographs of varying sizes were attached to the gallery walls. Others were suspended by...
    • Composition with Three Figures (Neo-Cubist Academy).

    • Composition with Three Figures (Neo-Cubist Academy).

    • Paintings; Oil paintings; Fantasy; Allusions; Symbols; Sex; Relations between the sexes; Lust; Gays; Martyrs; Saints; People associated with religion; Sailors; Men; Women; Bathing beauties; Portraits; Self-portraits; Nudes; Muscles; Standing;...

    • "One of Dali's greatest paintings from the mid-1920s, not exhibited since 1927. The influence of Picasso is manifest. It develops the theme of Saint Sebastian that so fascinated Lorca [Federico García Lorca] and Dali." (Caption);...
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