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Display: 20

    • Accession II.

    • Accession II.

    • Sculpture; Abstract sculpture; Abstract works; Metalwork; Boxes; Containers; Interiors

    • "Hesse produced a series of versions of this sculpture during 1967-8. They set up an interesting dialogue with [Donald] Judd's frequent exposure of the interiors of his 'boxes'. They also respond obliquely to an iconographic tradition of...
    • More Love Hours Than Can Ever Be Repaid.

    • More Love Hours Than Can Ever Be Repaid.

    • Sculpture; Mixed media; Symbols; Childhood & youth; Social aspects; Social values; Capitalism; Families; Gifts; Stuffed animals (Toys); Toys; Animals; Dolls

    • "The title of this work powerfully conveys the emotional blackmail tied up with certain instances of toy-making or giving. Alongside imagery relating to childhood, Kelley often explores adolescent subcultures, fads, and obsessions. His work...
    • Made in Heaven, detail, Koons and Cicciolina.

    • Made in Heaven, detail, Koons and Cicciolina.

    • Posters; Billboard posters; Billboards; Prints; Lithographs; Planographic prints; Advertisements; Advertising; Exhibition posters; Exhibitions; Art exhibitions; Motion pictures; Erotic films; Erotica; Sex; Relations between the sexes; Lust;...

    • Lithograph billboard poster. "Koons followed up this poster with a series of explicit, human-scale, photo-based 'paintings' of the couple having sex. Characteristically, Koons asserted that his concerns were far removed from pornography. He...
    • Made in Heaven.

    • Made in Heaven.

    • Posters; Billboard posters; Billboards; Prints; Lithographs; Planographic prints; Advertisements; Advertising; Exhibition posters; Exhibitions; Art exhibitions; Motion pictures; Erotic films; Erotica; Sex; Relations between the sexes; Lust;...

    • Lithograph billboard poster. "Koons followed up this poster with a series of explicit, human-scale, photo-based 'paintings' of the couple having sex. Characteristically, Koons asserted that his concerns were far removed from pornography. He...
    • At Five in the Afternoon.

    • At Five in the Afternoon.

    • Paintings; Casein paintings; Tempera paintings; Abstract paintings; Abstract works; Allusions; Fantasy; Poetry; Liberty; Death; Fascism; Civil wars; War; Bulls; Animals

    • "This painting deliberately combines a host of allusions to Spanish culture such as the stark black/white contrasts of Goya, Velasquez, and Picasso, the Spanish poet Lorca's lament to a dead bullfighter, 'Llanto por Ignacio Jánchez mejías',...
    • [Adrian Piper], Self Portrait Exaggerating My Negroid Features.

    • [Adrian Piper], Self Portrait Exaggerating My Negroid Features.

    • Drawings; Pencil works; Portrait drawings; Portraits; Self-portraits; Heads (Anatomy); Faces; Women; Artists; Racially mixed people; Hairstyles; Race discrimination; Discrimination; Racism; Ethnic stereotypes; Interpersonal relations; Prejudice

    • "As an African-American who is able to pass as 'white', Piper has written eloquently of the social and institutional prejudices that surface when she divulges her racially mixed identity. In a text entitled 'Flying' of 1987 she wrote: 'I am...
    • Untitled [Horses].

    • Untitled [Horses].

    • Exhibitions; Art exhibitions; Galleries (Display spaces); Galleries & museums; Exhibition facilities; Exhibition buildings; Interiors; Rooms & spaces; Symbols; Economics; Colors; Power (Social sciences); Horses; Animals

    • "Carried out partly to confront the economic interests on which galleries are based, this installation took place over a three-day period. The artist chose horses of various breeds and colors, associating them symbolically with energy and...
    • Dancing in Peckham, film still.

    • Dancing in Peckham, film still.

    • Performance art; Video recording; Film stills; Motion pictures; Fantasy; Women; Artists; Youth; Boys; Teenagers; Dancers; Dance; Recreation; Locomotion; Human locomotion; Walking; Clothing & dress; Trousers; Shirts; T-shirts; Shoes; Footwear;...

    • Videotape; 25 minutes, color, silent; "The idea that art can provide access to an artist's inner being is amusingly, and pointedly, repudiated here. Wearing is completely immersed in her own world. In the video, no soundtrack accompanies her...
    • European Mail-Order Warehouse/Fluxshop.

    • European Mail-Order Warehouse/Fluxshop.

    • Photographs; Montages; Promotional materials; Sales catalogs; Publicity; Publicity photographs; Advertisements; Advertising; Mail-order businesses; Business enterprises; Business & finance; Commerce; Art objects; Women; Hairstyles; Sitting;...

    • Originally arranged for photograph and reassembled 1984 by Jon Hendricks as installation, Contemporary Arts Museum, Houston, Texas; "This is an installation which closely follows a promotional photographic montage for de Ridder's distribution...
    • L.H.O.O.Q., replica, from "Boite-en-Valise, image and text.

    • L.H.O.O.Q., replica, from "Boite-en-Valise, image and text.

    • Reproductions; Paintings; Oil paintings; Portrait paintings; Portraits; Women; Clothing & dress; Hairstyles; Beards; Mustaches; Veils; Headgear; Posing; Smiling; Landscapes (Representations); Puns (Visual works); Language; Inscriptions;...

    • Replica of L.H.O.O.Q., Paris, 1919, from "Boite-en-Valise." Color reproduction of the Mona Lisa altered with a pencil; "The most famous instance of visual and verbal punning in Duchamp's work is L.H.O.O.Q., whose title is a bilingual...
    • L.H.O.O.Q., replica, from "Boite-en-Valise, image only.

    • L.H.O.O.Q., replica, from "Boite-en-Valise, image only.

    • Reproductions; Paintings; Oil paintings; Portrait paintings; Portraits; Women; Clothing & dress; Hairstyles; Beards; Mustaches; Veils; Headgear; Posing; Smiling; Landscapes (Representations); Puns (Visual works); Language; Artists' signatures

    • Replica of L.H.O.O.Q., Paris, 1919, from "Boite-en-Valise." Color reproduction of the Mona Lisa altered with a pencil. "The most famous instance of visual and verbal punning in Duchamp's work is L.H.O.O.Q., whose title is a bilingual...
    • Diego and I.

    • Diego and I.

    • Women; Men; Spouses; Couples; Heads (Anatomy); Hairstyles; Eyes; Marriage; Relations between the sexes; Crying; Mental states; Pain

    • "An obsessive self-portraitist, Kahlo reveled in her distinctive features - heavy, continuous eyebrows, piercing gaze, shadowy mustache, small but ripe, cherry-red mouth, massive dark hair braided like a halo in the traditional Mexican style....
    • Where Do We Come From? What Are We? Where Are We Going?

    • Where Do We Come From? What Are We? Where Are We Going?

    • Paintings; Oil paintings; Allegorical paintings; Allegories; Human life cycle; Indigenous peoples; Men; Women; Adults; Older people; Children; Youth; Girls; Infants; Nudes; Breasts; Backs (Anatomy); Clothing & dress; Bracelets; Jewelry;...

    • "Where Do We Come From? offers a flowing composition divided into three main figure groupings set in a jungle clearing with the sea in the background. In the center a Polynesian Eve, reminiscent of Botticelli's Giuliano de' Medici in the...
    • Palace of Shapur I, Ctesiphon, Iraq, iwan, exterior view.

    • Palace of Shapur I, Ctesiphon, Iraq, iwan, exterior view.

    • Architecture; Buildings; Castles & palaces; Houses; Residential facilities; Dwellings; Archaeological sites; Ruins; Facades; Architectural elements; Architectural decorations & ornaments; Walls; Arcades (Architectural components); Arches;...

    • "The son and successor of Artaxerxes, Shapur I (r. 241-272), succeeded in further extending Sasanian territory. He also erected a great palace at Ctesiphon, the capital his father had established near modern Baghdad in Iraq. The central...
    • Kore Phrasikleia (4889) and kouros of Merenda, front view.

    • Kore Phrasikleia (4889) and kouros of Merenda, front view.

    • Sculpture; Men; Women; Nudes; Genitals; Clothing & dress; Headdresses; Headgear; Wreaths; Hairstyles; Jewelry; Necklaces; Earrings; Bracelets; Flowers; Plants; Rosettes; Swastikas; Patterns (Design elements)

    • Kore: "Found at Merenda (ancient Myrrhinous), Attica, in 1972. […] Funerary statue. Found in a pit in the cemetery of Myrrhinous together with kouros [of Merenda] (inv. no. 4890). Preserved in excellent condition. The girl is depicted...
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