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Display: 20

    • Bacchus and Silenus, front view.

    • Bacchus and Silenus, front view.

    • Sculpture; Men; Gods; People associated with religion; Myths; Legends; Supernatural beings; Fictitious characters; Nudes; Clothing & dress; Crowns; Headdresses; Headgear; Wreaths; Vines; Hides & skins; Beards; Genitals; Bowls (Tableware);...

    • "This statue combines two antique fragments: Bacchus's torso and Silenus's torso and head, along with sixteenth-century additions including Bacchus's head, arms, and legs, and Silenus's arms and legs. The restoration is probably the work of...
    • Wave Rock.

    • Wave Rock.

    • Sculpture; Poetry; Language; Lettering (Layout features); Graphic design; Inscriptions; Landscapes (Representations); Seascapes; Bodies of water; Boats; Vessels; Vehicles; Light

    • "Alongside his own production of visual poetry, which took the form of silkscreen prints as well as inscribed objects, Finlay was significant for his involvement in the 'small press' publishing activities associated with the alternative poetry...
    • Parallel of Life & Art.

    • Parallel of Life & Art.

    • Exhibitions; Art exhibitions; Photographs; Reproductions; Art objects; Art; Photojournalism; Science; Sculpture; Heads (Anatomy); Architecture; Interiors; Walls; Ceilings; Architectural elements; Windows; Draperies

    • Photograph of exhibition installation, ICA (Institute of Contemporary Arts), London, September-October 1953; "In this early Independent Group exhibition photographs of varying sizes were attached to the gallery walls. Others were suspended by...
    • Bunnies.

    • Bunnies.

    • Paintings; Acrylic paintings; Capitalism; Glamour photographs; Sex; Seduction; Lust; Relations between the sexes; Women; Bathing beauties; People associated with entertainment & sports; Posing; Clothing & dress; Lingerie; Bathing suits;...

    • "In subsequent paintings by Polke, deliberately inept versions of American Pop techniques ironically signaled West Germany's 'secondary' cultural/economic status vis-à-vis America. In his Rasterbilder works he subverted [Roy] Lichtenstein's...
    • The Endless Enigma.

    • The Endless Enigma.

    • Paintings; Oil paintings; Symbols; Optical illusions; Fear; Disgrace; Anxiety; Distress; Lust; Heads (Anatomy); Faces; Men; Women; Philosophers; Poets; Authors; Supernatural beings; Mandolins; Musical instruments; Beaches; Cliffs; Landscapes...

    • "The ever-present, brooding presence of Lorca [Federico García Lorca]." (Caption); "That Lorca continued to be on Dali's mind as he worked on Bacchanale is confirmed by a painting done during these months at La Pausa, The Great...
    • Girl from Figueres.

    • Girl from Figueres.

    • Paintings; Oil paintings; Women; Backs (Anatomy); Clothing & dress; Hairstyles; Hair ornaments; Leisure; Domestic life; Sewing; Scissors & shears; Thread; Sitting; Chairs; Seating furniture; Furniture; Architecture; Architectural elements;...

    • "The view from the balcony of the Dalis' second home in Figueres, at Carrer Monturiol 24. This was the painting Dali showed Picasso on his first visit to Paris in April 1926." (Caption); "The building, today numbered Monturiol, 10,...
    • Outskirts of the Paranoiac-Critical Town.

    • Outskirts of the Paranoiac-Critical Town.

    • Paintings; Oil paintings; Fantasy; Symbols; Fear; Anxiety; Lust; Sex; Invitations; Gestures; Locomotion; Human locomotion; Women; Portraits; Spouses; Children; Girls; Clothing & dress; Shirts; Necklaces; Neckwear; Jewelry; Dresses; Cities &...

    • "The painting belonged to Edward James. The 'paranoiac-critical town' is composed of elements principally from Cadaqués and Palamós." (Caption); "The reference was to Outskirts of the Paranoiac-Critical Town, one of Dali's finest...
    • Imperial Monument to the Child-Woman.

    • Imperial Monument to the Child-Woman.

    • Paintings; Oil paintings; Fantasy; Symbols; Allusions; Sex; Lust; Relations between the sexes; Love; Worry; Fear; Disgrace; Anxiety; Distress; Women; Men; Couples; Spouses; Fathers; Families; Family; Faces; Heads (Anatomy); Body parts; Buttocks;...

    • "The Child-Woman is Gala, who appears here for the first time in Dali's work." (Caption); "Meanwhile, Dali had painted the first major work in which he alluded directly to the relationship with Gala that was partially to blame for...
    • Red Room (Child), installation.

    • Red Room (Child), installation.

    • Sculpture; Rooms & spaces; Interiors; Fantasy; Allusions; Children; Families; Symbols; Colors; Thread; Glassware; Lanterns; Light fixtures; Lamps; Animals; Heads (Anatomy); Hourglasses; Shelving; Furniture; Pedestals

    • "The color red, connotative of intense passion, predominated in the two cramped spaces forming this installation. One important theme here was regressive psychological fantasy. But there was also a sense that ancient knowledge was being...
    • Red Room (Child), installation, detail.

    • Red Room (Child), installation, detail.

    • Sculpture; Rooms & spaces; Interiors; Fantasy; Allusions; Children; Families; Symbols; Colors; Thread; Glassware; Pedestals; Details

    • "The color red, connotative of intense passion, predominated in the two cramped spaces forming this installation. One important theme here was regressive psychological fantasy. But there was also a sense that ancient knowledge was being...
    • Accession II.

    • Accession II.

    • Sculpture; Abstract sculpture; Abstract works; Metalwork; Boxes; Containers; Interiors

    • "Hesse produced a series of versions of this sculpture during 1967-8. They set up an interesting dialogue with [Donald] Judd's frequent exposure of the interiors of his 'boxes'. They also respond obliquely to an iconographic tradition of...
    • More Love Hours Than Can Ever Be Repaid.

    • More Love Hours Than Can Ever Be Repaid.

    • Sculpture; Mixed media; Symbols; Childhood & youth; Social aspects; Social values; Capitalism; Families; Gifts; Stuffed animals (Toys); Toys; Animals; Dolls

    • "The title of this work powerfully conveys the emotional blackmail tied up with certain instances of toy-making or giving. Alongside imagery relating to childhood, Kelley often explores adolescent subcultures, fads, and obsessions. His work...
    • Made in Heaven, detail, Koons and Cicciolina.

    • Made in Heaven, detail, Koons and Cicciolina.

    • Posters; Billboard posters; Billboards; Prints; Lithographs; Planographic prints; Advertisements; Advertising; Exhibition posters; Exhibitions; Art exhibitions; Motion pictures; Erotic films; Erotica; Sex; Relations between the sexes; Lust;...

    • Lithograph billboard poster. "Koons followed up this poster with a series of explicit, human-scale, photo-based 'paintings' of the couple having sex. Characteristically, Koons asserted that his concerns were far removed from pornography. He...
    • Made in Heaven.

    • Made in Heaven.

    • Posters; Billboard posters; Billboards; Prints; Lithographs; Planographic prints; Advertisements; Advertising; Exhibition posters; Exhibitions; Art exhibitions; Motion pictures; Erotic films; Erotica; Sex; Relations between the sexes; Lust;...

    • Lithograph billboard poster. "Koons followed up this poster with a series of explicit, human-scale, photo-based 'paintings' of the couple having sex. Characteristically, Koons asserted that his concerns were far removed from pornography. He...
    • At Five in the Afternoon.

    • At Five in the Afternoon.

    • Paintings; Casein paintings; Tempera paintings; Abstract paintings; Abstract works; Allusions; Fantasy; Poetry; Liberty; Death; Fascism; Civil wars; War; Bulls; Animals

    • "This painting deliberately combines a host of allusions to Spanish culture such as the stark black/white contrasts of Goya, Velasquez, and Picasso, the Spanish poet Lorca's lament to a dead bullfighter, 'Llanto por Ignacio Jánchez mejías',...
    • [Adrian Piper], Self Portrait Exaggerating My Negroid Features.

    • [Adrian Piper], Self Portrait Exaggerating My Negroid Features.

    • Drawings; Pencil works; Portrait drawings; Portraits; Self-portraits; Heads (Anatomy); Faces; Women; Artists; Racially mixed people; Hairstyles; Race discrimination; Discrimination; Racism; Ethnic stereotypes; Interpersonal relations; Prejudice

    • "As an African-American who is able to pass as 'white', Piper has written eloquently of the social and institutional prejudices that surface when she divulges her racially mixed identity. In a text entitled 'Flying' of 1987 she wrote: 'I am...
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