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  • Description: viewer
(36 results)



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    • Avalon, Santa Catalina, California.

    • Avalon, Santa Catalina, California.

    • Bays (Bodies of water); Ships; Boats; Piers & wharves; Villages; Beaches; Mountains

    • Seaside settlement and boats in harbor against mountainous background. One large ship occupies the middle of the harbor; smoke trails out of its smokestack. There are smaller boats in the water, as well, and a dock or pier extending into the water....
    • Approach to Bay Bridge, Mobile, Ala.

    • Approach to Bay Bridge, Mobile, Ala.

    • Bridges; Automobiles; Cochrane Bridge (Mobile, Ala.)

    • Cars crossing a bridge. The cars are coming toward the viewer. Text printed on verso reads, "This view shows the Mobile River span of the Chocrane Bridge across the headwaters of Mobile Bay. The total length of this bridge is 10.7 miles and it...
    • Driftwood Cafeteria.

    • Driftwood Cafeteria.

    • Cafeterias; Plant containers; Benches

    • Interior of the Driftwood Cafeteria in St. Petersburg, Florida. The cafeteria is empty. There are planters set into low walls around the eating area, and a cushioned bench wraps along the wall, facing the viewer. Postmarked 1957 on verso. Published...
    • Ibrida.

    • Ibrida.

    • Ceramic sculpture--Kentucky--Louisville--Exhibitions

    • This thesis is a study of my current body of work, both formally and conceptually. It begins with an Introduction, explaining the origin of the term hybrid and the distinct advantages as well as disadvantages hybridization has on a species. It also...
    • Guarded Conditions.

    • Guarded Conditions.

    • Photographs; Photographic prints; Instant camera photographs; Dye diffusion transfer prints; Plaques; Mixed media; Social aspects; Social values; Ethnic stereotypes; Stereotyping; Discrimination; Women; Backs (Anatomy); Standing; Clothing &...

    • "The viewer of Lorna Simpson's works is compelled to shuttle between texts and images in order to construct meanings. The use of text-image conjunctions was a major component of 1980s photographic process. In Britain Victor Burgin's teaching...
    • Inflammatory Essays, page detail.

    • Inflammatory Essays, page detail.

    • Prints; Broadsides; Broadsides; Advertisements; Advertising; Language; Communication; Communication devices; Inscriptions; Lettering (Layout features); Punctuation; Question marks

    • "Jenny Holzer extended the use of language in art to another dimension by presenting words alone; for the viewer, looking and reading became one and the same act. […] In graduate school at the Rhode Island School of Design in the mid-1970s,...
    • What Big Muscles You Have!

    • What Big Muscles You Have!

    • Language; Slogans; Inscriptions; Lettering (Layout features); Punctuation; Graphic design; Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values; Political issues; Discrimination;...

    • "Barbara Kruger, rather than making her own photographs, has combined found media imagery involving the male gaze and its various hidden projections of personal power with brief texts of her own devising. Sometimes by reinforcement of the...
    • Untitled (We Have Received Orders Not to Move).

    • Untitled (We Have Received Orders Not to Move).

    • Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...

    • "Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
    • Untitled (We Won't Play Nature to Your Culture).

    • Untitled (We Won't Play Nature to Your Culture).

    • Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...

    • "Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
    • Ocean: 7 Steps #1, detail.

    • Ocean: 7 Steps #1, detail.

    • Drawings; Graphite drawings; Seascape drawings; Seascapes; Seas; Oceans; Bodies of water; Nature; Details

    • "[…] Vija Celmins uses nature as a starting point. In her re-creations of the heavens and earth, Celmins prods the viewer into an expanded awareness of both her sources and the process of artistic vision. […] In 1968 Celmins's preferred...
    • 20/50.

    • 20/50.

    • Rooms & spaces; Windows; Industrialization; Industrial facilities; Industry; Deterioration; Building deterioration

    • Installation: used sump oil, steel; "The oil uncannily mirrors the ceiling of the gallery, leaving the spectator, figuratively speaking, in mid-air. Although currently installed in the Saatchi Gallery, the work was originally located in Matt's...
    • Untitled (Shanty).

    • Untitled (Shanty).

    • Sculpture; Architecture; Buildings; Houses; Dwellings; Huts; Shelters; Housing; Architectural elements; Walls; Doors & doorways; Wheels

    • "Alice Aycock […] bases her forms on the logic of the imagination. […] Aycock revels in conjuring the past. The rich associative content of her sculpture is often nurtured by fanciful titles and accompanying texts that refer to history,...
    • Girl before a Mirror, detail.

    • Girl before a Mirror, detail.

    • Paintings; Oil paintings; Abstract paintings; Abstract works; Girls; Mirrors; Reflections; Mental states; Details

    • "Another stylistic shift in Picasso's work that was influenced by Cubism has been called Surrealism. This term literally means 'above real' and denotes a truer reality than that of the visible world. In the Girl before a Mirror of 1932,...
    • Girl before a Mirror.

    • Girl before a Mirror.

    • Paintings; Oil paintings; Abstract paintings; Abstract works; Girls; Breasts; Mirrors; Reflections; Mental states

    • "Another stylistic shift in Picasso's work that was influenced by Cubism has been called Surrealism. This term literally means 'above real' and denotes a truer reality than that of the visible world. In the Girl before a Mirror of 1932,...
    • Three Musicians.

    • Three Musicians.

    • Paintings; Oil paintings; Abstract paintings; Abstract works; Collages; Colors; Men; Musicians; Entertainers; Monks; People associated with religion; People associated with entertainment & sports; Music ensembles; Performances; Music; Guitars;...

    • "Synthetic Cubism marked a return to bright color. Whereas Analytic Cubism fragmented objects into abstract geometric forms, Synthetic Cubism arranged flat shapes of color to form objects. Picasso's Three Musicians - a clarinetist on the left,...
    • L.H.O.O.Q., replica, from "Boite-en-Valise, image and text.

    • L.H.O.O.Q., replica, from "Boite-en-Valise, image and text.

    • Reproductions; Paintings; Oil paintings; Portrait paintings; Portraits; Women; Clothing & dress; Hairstyles; Beards; Mustaches; Veils; Headgear; Posing; Smiling; Landscapes (Representations); Puns (Visual works); Language; Inscriptions;...

    • Replica of L.H.O.O.Q., Paris, 1919, from "Boite-en-Valise." Color reproduction of the Mona Lisa altered with a pencil; "The most famous instance of visual and verbal punning in Duchamp's work is L.H.O.O.Q., whose title is a bilingual...
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