University of Louisville University Libraries

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Display: 20

    • Research Resources Center.

    • Research Resources Center.

    • Buildings; University of Louisville--Buildings;

    • Location: 301 East Flexner Way. Current uses: Animal care facility; support of faculty research who employ animal models to study causes, mechanisms and cures of human disease. Square footage: 37069.
    • Athletic and Ticket Office.

    • Athletic and Ticket Office.

    • Buildings; University of Louisville--Buildings; Ticket offices; Offices;

    • The Athletic and Ticket office was located next door to the present day Office of Minority Affairs. It was razed to make way for the Student Activities Center. Location: Belknap Campus: Brook & Brandeis Streets. Current uses: This building was...
    • Baxter Building.

    • Baxter Building.

    • Buildings; University of Louisville--Buildings;

    • The Baxter Building was torn down in 1925 by the University of Louisville to make way for the Speed Art Museum. Location: Belknap Campus: on site of present-day Speed Art Museum. The Baxter Building served as a the main building for the House of...
    • The Spectre of Sex Appeal.

    • The Spectre of Sex Appeal.

    • Paintings; Oil paintings; Symbols; Fantasy; Sex; Lust; Fear; Disgrace; Anxiety; Distress; Self-portraits; Portraits; Artists; Boys; Children; Youth; Clothing & dress; Children's clothing & dress; Hats; Headgear; Toys; Lifting &...

    • "Dali at his miniaturist best in a tiny work expressive of his sexual anxieties." (Caption); "In the Maldoror illustrations we also find the presence of a slightly older Dali, the same child who, in The Spectre of Sex Appeal, stares...
    • Spiral Jetty, stills from Spiral Jetty Film.

    • Spiral Jetty, stills from Spiral Jetty Film.

    • Sculpture; Jetties; Industrialization; Industry; Petroleum industry; Land use; Ecology; Nature; Bodies of water; Lakes & ponds; Aerial views; Bird's-eye views; Film stills; Motion pictures; Maps; Dirt roads; Roads; Streets; Books

    • Documentation of film stills from Spiral Jetty, 1970. "These are frames from Smithson's half-hour-long film based on his Spiral Jetty. Shots taken of the dusty road on the way to the site of the work were intercut with images of the blazing...
    • Boîte-en-Valise, open.

    • Boîte-en-Valise, open.

    • Boxes; Containers; Luggage; Showcases; Merchandise displays; Commercialism; Art objects; Reproductions; Miniature works; Sculpture; Paintings; Photographs; Plumbing fixtures

    • "Duchamp's Boîte 'unpacked' in such a way that certain sections slid out to become free-standing display boards, whilst a sheaf of folders and black mounts bore other reproductions of works from his output. In all, it contained 69 items....
    • Agora, Athens, Greece, reconstruction, seen from the east, c. 400 BCE.

    • Agora, Athens, Greece, reconstruction, seen from the east, c. 400 BCE.

    • Architecture; Buildings; Social & civic facilities; Government facilities; Mints; Altars; Religious facilities; Temples; Mercantile facilities; Commercial facilities; Markets; Social life; Streets; Roads; Colonnades; Roofs; Reconstructions;...

    • “A reconstruction of the Agora in about 400 BC, seen from the east. […] In the bottom left hand corner is the Mint, with the south-east fountain house behind. Next to this is the South Stoa. The Pnyx assembly platform is above the stoa to the...
    • The Spirit of the Dead Watches (Manao Tupapau).

    • The Spirit of the Dead Watches (Manao Tupapau).

    • Paintings; Oil paintings; Girls; Youth; Teenagers; Nudes; Backs (Anatomy); Fear; Ghosts; Women; Dead persons; Supernatural beings; Supernatural; Beds; Furniture; Bedsheets; Pillows

    • “In various letters and diary notes the artist has explained how the preoccupation with ethnological problems, with the symbolism of colors, and certain literary concepts participated in the genesis of this canvas: ‘I painted the nude of a...
    • The Cruelty of the Father.

    • The Cruelty of the Father.

    • Paintings; Oil paintings; Diptychs; Men; Women; Nudes; Nudism; Posing; Body parts; Feet; Breasts; Backs (Anatomy); Heads (Anatomy); Faces; Swimmers; Headgear; Swimming pools; Outdoor furniture; Furniture

    • Oil and acrylic on canvas. “Salle has cultivated a very urbane way of representing stereotypes, taken from the mass media and the world of art, which has affinities with Jasper Johns’ early classicism, such as the Target with Boxes. Parts of...
    • Boîte-en-Valise, open, center section, detail.

    • Boîte-en-Valise, open, center section, detail.

    • Boxes; Containers; Luggage; Showcases; Merchandise displays; Commercialism; Art objects; Reproductions; Miniature works; Sculpture; Paintings; Photographs; Plumbing fixtures; Details

    • "Duchamp's Boîte 'unpacked' in such a way that certain sections slid out to become free-standing display boards, whilst a sheaf of folders and black mounts bore other reproductions of works from his output. In all, it contained 69 items....
    • Bedia's Stirring Wheel.

    • Bedia's Stirring Wheel.

    • Sculpture; Mixed media; Symbols; Discrimination; Race discrimination; Race relations; Racism; Ethnic groups; Ethnic stereotypes; Indigenous peoples; Cultural relations; History; Irony; Fantasy; Archaeology; Excavation; Hides & skins; Steering...

    • "Durham's symbolic recoding of the imagery of modern America in the terms of its native Indians is interesting in relation to Joseph Beuys's use of Indian iconography for purposes of symbolic retribution. As a modernist, Beuys assumed his work...
    • Blue Veil.

    • Blue Veil.

    • Paintings; Acrylic paintings; Abstract paintings; Abstract works

    • "In Louis's enormous 'veils' of the 1950s the physical operations of pouring paint or tilting a canvas so that the paint floods down it are powerfully implied." (Caption, p.28); "[Clement] Greenberg's conception of 'Modernism' as...
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