University of Louisville University Libraries

DIGITAL COLLECTIONS

Add or remove other collections to your search:



 

Narrow your search by:



Type

Coverage

Subject

Contributors

Creator

You've searched:

All Collections
  • : which
(4344 results)



Display: 20

    • The Great Paranoiac.

    • The Great Paranoiac.

    • Paintings; Oil paintings; Fantasy; Symbols; Optical illusions; Fear; Disgrace; Anxiety; Distress; Lust; Sex; Men; Women; Fathers; Nudes; Heads (Anatomy); Faces; Rocks

    • "The painting belonged to Edward James. Surely one of Dali's finest double images." (Caption); "Dali said that The Great Paranoiac had been conceived after a discussion with Josep María Sert about Arcimboldo, and that the...
    • Urn of a young soldier.

    • Urn of a young soldier.

    • Sculpture; Urns; Death & burial; Containers; Soldiers; Military personnel; People associated with military activities; Death & burial; Friezes (Ornamental bands); Cartouches; Pediments; Tympana; Architectural elements; Inscriptions; Names;...

    • "The front of this rectangular urn is decorated with two friezes of hearts and darts. Smooth strips frame the decoration along the top and bottom rims and emphasize the container's shape. The central surface of such objects was inscribed. This...
    • At the Moulin Rouge.

    • At the Moulin Rouge.

    • Paintings; Oil paintings; Portraits; Portrait paintings; Self-portraits; Group portraits; Men; Women; Artists; Painters (Artists); Draftspersons; Critics; Collectors; Art collectors; Authors; Photographers; Dancers; Entertainers; People associated...

    • "Even the question of whom it represents involves a degree of controversy. Lautrec and his cousin Tapie de Celeyran are shown walking across the rear space, having passed La Goulue who adjusts her hair in a mirror. Joyant identified the...
    • At the Moulin Rouge, detail, central figures.

    • At the Moulin Rouge, detail, central figures.

    • Paintings; Oil paintings; Portraits; Portrait paintings; Self-portraits; Group portraits; Details; Men; Women; Artists; Painters (Artists); Draftspersons; Authors; Photographers; Jockeys; Adults; Sitting; Walking; Leisure; Recreation; Eating &...

    • "Even the question of whom it represents involves a degree of controversy. Lautrec and his cousin Tapie de Celeyran are shown walking across the rear space, having passed La Goulue who adjusts her hair in a mirror. Joyant identified the...
    • In Limbo.

    • In Limbo.

    • Sculpture; Dolls; Toys; Arms (Anatomy); Legs; Heads (Anatomy); Body parts; Boxes; Containers; Surplus commodities; Commercialism; Capitalism; Economics; Industry; Commerce

    • "Whilst implicitly acknowledging the Surrealism of [Joseph] Cornell, Arman possibly evokes [Roland] Barthes's mournful vision of commodified toys as expressed in the latter's book Mythologies (1957). Barthes wrote that in the consumerist era,...
    • Young Gaul, front view.

    • Young Gaul, front view.

    • Sculpture; Portraits; Youth; Young adults; Clothing & dress; Hairstyles; Mustaches

    • Discovered in Reims (France). "This sculpture demonstrates the capacity of Roman artists to synthesize widely divergent influences and draw upon diverse styles. It shows that Roman art was capable of addressing very different concerns while...
    • Typology of Water Towers (groups A, B, C, and D).

    • Typology of Water Towers (groups A, B, C, and D).

    • Photographs; Architecture; Buildings; Industrial facilities; Water towers; Towers; Hydraulic facilities; Reservoirs; Waterworks; Architectural elements; Walls; Windows; Structural elements; Structural frames

    • One of six suites of nine photographs. "The Bechers' photographs of industrial structures, which they began in 1959, belong to the genres of documentary photography, sculpture, and industrial archaeology simultaneously, as well as having...
    • Lightning Field.

    • Lightning Field.

    • Lightning; Electricity; Storms; Meteorology; Weather; Natural phenomena; Nature; Physics

    • "One of the ironies of the anti-market strategies of certain Land Artists was that to view their works other than via photographs spectators had to travel large distances. This could be costly, especially when specialized transport was...
    • Car Crash.

    • Car Crash.

    • Performance art; Performances; Performances & portrayals; Accidents; Automobiles; Death; Writing; Artists; Men; Spectators; Audiences; Sitting; Standing; Costumes; Clothing & dress; Suits (Clothing); Neckties; Neckwear; Eyeglasses

    • "In a darkened room, Dine, acting the part of 'car' in a silver-sprayed cap and raincoat, swerved to avoid 'hits' from the raking 'headlights' attached to fellow performers. The lights went on and off amid clatterings and amplified collision...
    • Bedia's Stirring Wheel.

    • Bedia's Stirring Wheel.

    • Sculpture; Mixed media; Symbols; Discrimination; Race discrimination; Race relations; Racism; Ethnic groups; Ethnic stereotypes; Indigenous peoples; Cultural relations; History; Irony; Fantasy; Archaeology; Excavation; Hides & skins; Steering...

    • "Durham's symbolic recoding of the imagery of modern America in the terms of its native Indians is interesting in relation to Joseph Beuys's use of Indian iconography for purposes of symbolic retribution. As a modernist, Beuys assumed his work...
    • Numbers.

    • Numbers.

    • Drawings; Numerals

    • "Johns used letters or numbers as a means of reintroducing the signifiers of a collective sign system into a Modernist 'field' previously answerable to subjective judgments of taste. The textures in his drawings in particular are subtly...
    • More Love Hours Than Can Ever Be Repaid.

    • More Love Hours Than Can Ever Be Repaid.

    • Sculpture; Mixed media; Symbols; Childhood & youth; Social aspects; Social values; Capitalism; Families; Gifts; Stuffed animals (Toys); Toys; Animals; Dolls

    • "The title of this work powerfully conveys the emotional blackmail tied up with certain instances of toy-making or giving. Alongside imagery relating to childhood, Kelley often explores adolescent subcultures, fads, and obsessions. His work...
    • Five Car Stud.

    • Five Car Stud.

    • Sculpture; Tableaux; Night; Violence; Terrorism; Punishment & torture; Race discrimination; Discrimination; Race relations; Racism; Social aspects; Interpersonal relations; Social justice; Social values; Minorities; Ethnic groups; Men; Women;...

    • Tableau: cars, plaster casts, guns, rope, masks, chainsaw, clothing, oil pan with water and plastic letters, paint, polyester resin, styrofoam rocks, and dirt; "Ruthlessly forgoing aesthetic or metaphorical niceties, Keinholz's grotesquely...
    • Vagina Painting.

    • Vagina Painting.

    • Performance art; Performances; Women; Artists; Painting; Brooms & brushes; Blood; Bodily functions; Anatomy; Genitals; Human body

    • "Retrospectively this performance reads as a proto-feminist riposte to Yves Klein's usurpation of the female 'trace' of five years earlier [Anthropometries of the Blue Age, performance, 9 March 1960]." (Caption, p.105); "[…] Fluxus...
    • Lectern Sentinel.

    • Lectern Sentinel.

    • Sculpture; Metalwork; Abstract sculpture; Abstract works

    • "Smith's series of Sentinel sculptures, which were begun in 1956, were placed in the landscape surrounding his studio at Bolton Landing in upstate New York. Given their clear figurative associations they appeared to 'survey' or 'guard' the...
    • School of Athens.

    • School of Athens.

    • Paintings; Oil paintings; Abstract paintings; Abstract works; Abstract drawings; Drawings; Pencil works; Crayon drawings; Mixed media; Allusions; Graffiti

    • Oil, house paint, crayon, and pencil on canvas. "The classical setting and celebration of intellectual probity evoked in the title's reference to Raphael's School of Athens (c.1510-12, Vatican, Rome) are offset by markings evoking bodily...
    • Five Deaths Seventeen Times in Black and White.

    • Five Deaths Seventeen Times in Black and White.

    • Prints; Screen prints; Allusions; Death; Disasters; Tragedies; Accidents; Automobiles; Vehicles; Dead persons; Wounds & injuries; Voyeurism; Social aspects; Social classes

    • "The use of serial repetition here, as in other early Warhol works, relates interestingly to Minimalist uses of repetition. The reciprocally ironic relation between Warhol and the Minimalists came to a head in 1964. Warhol exhibited a series...
    • Italia d'oro (Golden Italy).

    • Italia d'oro (Golden Italy).

    • Sculpture; Metalwork; Maps; Industrialization; Industry; Economic & social conditions; Social aspects; Industrial arbitration; Social classes; Wealth; Poverty; Economic & industrial aspects

    • "Fabro made his first sculpture in the Italia series in 1968. Dozens of variations followed in subsequent years. Another theme established in 1968 was that of 'Feet'. This involved the artist in producing a series of bizarre sculptural...
    • Untitled [Horses].

    • Untitled [Horses].

    • Exhibitions; Art exhibitions; Galleries (Display spaces); Galleries & museums; Exhibition facilities; Exhibition buildings; Interiors; Rooms & spaces; Symbols; Economics; Colors; Power (Social sciences); Horses; Animals

    • "Carried out partly to confront the economic interests on which galleries are based, this installation took place over a three-day period. The artist chose horses of various breeds and colors, associating them symbolically with energy and...
Coming soon

This content is not yet available. Please check back.

 

QuickView

Display a larger image and more item information when the pointer pauses over a thumbnail
on off
 

Layout options:

Thumbnail with title
Grid with smaller thumbnails and more detail
Select the collections to add or remove from your search
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
 
OK
Select the collections to add or remove from your search
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
 
OK