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    • Zliten mosaic, gladiatorial scenes.

    • Zliten mosaic, gladiatorial scenes.

    • Mosaics; Entertaining; Entertainment; Games; Contests; Sports; Fighting; Men; Athletes; Gladiators; Referees; Sports officiating; Gestures; Surrenders; Locomotion; Human locomotion; Wounds & injuries; Blood; Clothing & dress; Sport clothes;...

    • “Gladiatorial scenes from the Zliten mosaic. The upper scene shows, on the far left, a retiarius wearing a shoulder shield (galerus) and arm guard (manica). He has been disarmed and wounded by a secutor and is holding up a finger in a plea for...
    • Villa Imperiale, Pompeii, Italy, interior view, oecus (A).

    • Villa Imperiale, Pompeii, Italy, interior view, oecus (A).

    • Architecture; Buildings; Houses; Dwellings; Residential facilities; Interiors; Rooms & spaces; Reception rooms; Salons (Social spaces); Architectural elements; Structural elements; Ceilings; Arches; Vaults (Architecture); Barrel ceilings;...

    • "It was built illegally by private interests in the last decade of the first century B.C. [...]. Renovated in the Fourth Style after the earthquake of 62 A.D. [...]." (p.122); “The oecus is a rectangular vaulted hall six meters wide by...
    • Nero (obverse), Roma (reverse), coin.

    • Nero (obverse), Roma (reverse), coin.

    • Coins; Money; Metalwork; Portraits; Heads (Anatomy); Men; Emperors; Rulers; People associated with politics & government; Upper class; Hairstyles; Wreaths; Crowns; Headgear; Women; Goddesses; Myths; Legends; Fictitious characters; Supernatural...

    • "The obverse of the coin shows a portrait of Nero [...]. The reverse side depicts the helmeted goddess Roma seated on a captured throne; the figure of Victory rises from her right hand, while her left hand, resting on a shield, holds a short...
    • The Perception of Presence.

    • The Perception of Presence.

    • Sculpture; Mixed media; Men; Young adults; Discrimination; Race discrimination; Racism; Prejudice; Cultural relations; Social classes; Social aspects; Interpersonal relations; Fear

    • Earth, linen cloth, and wood, and recorded interviews; “ ‘My godson’s experience stimulated this piece. He’s grown up in Greenwich Village and one evening while out with his friends the police swooped down upon them. They were thrown...
    • The Sower.

    • The Sower.

    • Paintings; Oil paintings; Croplands; Agriculture; Farming; Landscapes (Representations); Men; Adults; Working class; Laborers; Agricultural laborers; People associated with manual labor; People associated with agriculture; Walking; Gestures;...

    • "Though its exact date is unknown, the nature of the brushwork and general intensity of style suggest late 1888 or early 1889 while van Gogh was still in Arles, the village in Provence [...]. It may even have been executed after van Gogh...
    • Temple of Mars Ultor, Rome, Italy, capital.

    • Temple of Mars Ultor, Rome, Italy, capital.

    • Architecture; Temples; Religious facilities; Buildings; Sculpture; Architectural sculpture; Architectural decorations & ornaments; Architectural elements; Structural elements; Capitals (Columns); Columns; Architectural orders; Corinthian order;...

    • "Capital based on the Corinthian order with winged horses (Pegasuses) from a pilaster in Lunense marble, from the first order of the decoration of the interior of the cella of the temple of Mars Ultor. The lower part of the kalathos is covered...
    • Flower in the Wind.

    • Flower in the Wind.

    • Paintings; Oil paintings; Abstract paintings; Abstract works; Abstract drawings; Drawings; Pencil works

    • "In her consistent use of grids Agnes Martin participated in a tradition in twentieth-century art stretching from the Cubists and Mondrian to her Minimalist contemporaries. The grid was a non-hierarchical and non-referential structure. It...
    • The Great Masturbator.

    • The Great Masturbator.

    • Paintings; Oil paintings; Symbols; Fantasy; Lust; Sex; Relations between the sexes; Fear; Disgrace; Anxiety; Distress; Women; Men; Couples; Standing; Hugging; Body parts; Genitals; Heads (Anatomy); Legs; Animals; Lions; Wild cats; Tongues; Ants;...

    • "To the right of the photograph [referring to the photograph in Dali's painting The First Days of Spring, 1929] we find the first appearance of an icon soon to proliferate in Dali's work: a waxy-complexioned head with closed eyes, long...
    • Herculaneum, decorative fresco-type architectural wall painting.

    • Herculaneum, decorative fresco-type architectural wall painting.

    • Paintings; Murals; Walls; Architecture; Architectural elements; Structural elements; Columns; Moldings; Consoles; Architectural decorations & ornaments; Patterns (Design elements); Masks; Faces; Supernatural beings; Horses; Animals

    • "This fragment of a wall painting was among the very first ancient artworks discovered in Herculaneum after the volcanic eruption on August 23 in 79 A.D. […] This panel was executed using a technique similar to fresco painting. The design...
    • Parallel of Life & Art.

    • Parallel of Life & Art.

    • Exhibitions; Art exhibitions; Photographs; Reproductions; Art objects; Art; Photojournalism; Science; Sculpture; Heads (Anatomy); Architecture; Interiors; Walls; Ceilings; Architectural elements; Windows; Draperies

    • Photograph of exhibition installation, ICA (Institute of Contemporary Arts), London, September-October 1953; "In this early Independent Group exhibition photographs of varying sizes were attached to the gallery walls. Others were suspended by...
    • Venus from Montagne, front view.

    • Venus from Montagne, front view.

    • Sculpture; Figurines; Women; Goddesses; Myths; Legends; Supernatural beings; Fictitious characters; Hairstyles; Headgear; Grooming; Gestures; Mirrors; Symbols; Cupids; Dolphins; Aquatic animals; Lifting & carrying

    • "Venus is represented rising out of the water in accord with the conventions of the Aphrodite Anadyomene type. The triton and dolphin, which recall the maritime setting, were sometimes depicted alternately with two cupids accompanying the...
    • Discovery of America by Christopher Columbus.

    • Discovery of America by Christopher Columbus.

    • Paintings; Oil paintings; Marines (Visual works); Symbols; Allusions; Discovery & exploration; Catholicism; Christianity; Portraits; Self-portraits; Portrait paintings; Men; Women; Spouses; Nudes; Explorers; Saints; People associated with...

    • "Dali and Gala had every reason to be grateful to America, which had showered them with dollars. Here, as Columbus, the painter kneels on the shore, holding aloft a silver crucifix. Gala appears once more as Virgin Mary, on the banner."...
    • The Profanation of the Host.

    • The Profanation of the Host.

    • Paintings; Oil paintings; Fantasy; Symbols; Allusions; Disgrace; Anxiety; Distress; Sex; Lust; Relations between the sexes; Heads (Anatomy); Women; Men; Fathers; Nudes; Body parts; Lions; Animals; Ants; Locusts; Insects; Chalices; Drinking vessels;...

    • "Dali's variation on Paolo Uccello's work of the same title, this is probably his most sacrilegious painting." (Caption); The Profanation of the Host […] is one of Dali's most sacrilegious paintings (although later he tried to exonerate...
    • Leda Atomica.

    • Leda Atomica.

    • Paintings; Oil paintings; Fantasy; Symbols; Myths; Legends; Mathematics; Physics; Atoms; Portraits; Women; Spouses; Nudes; Breasts; Hairstyles; Sitting; Gestures; Floating; Flying; Birds; Swans; Animals; Cliffs; Beaches; Coastlines; Seas; Bodies of...

    • "Gala-Leda rendered 'in accordance with the modern "nothing touches" theory of intra-atomic physica' (Dali)." (Caption); Dali himself was only too happy to admit his debt to Gala. In the early 1930s he had begun to sign his...
    • Young Gaul, front view.

    • Young Gaul, front view.

    • Sculpture; Portraits; Youth; Young adults; Clothing & dress; Hairstyles; Mustaches

    • Discovered in Reims (France). "This sculpture demonstrates the capacity of Roman artists to synthesize widely divergent influences and draw upon diverse styles. It shows that Roman art was capable of addressing very different concerns while...
    • Car Crash.

    • Car Crash.

    • Performance art; Performances; Performances & portrayals; Accidents; Automobiles; Death; Writing; Artists; Men; Spectators; Audiences; Sitting; Standing; Costumes; Clothing & dress; Suits (Clothing); Neckties; Neckwear; Eyeglasses

    • "In a darkened room, Dine, acting the part of 'car' in a silver-sprayed cap and raincoat, swerved to avoid 'hits' from the raking 'headlights' attached to fellow performers. The lights went on and off amid clatterings and amplified collision...
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