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  • Description: woman
(1726 results)



Display: 20

    • Funerary relief with portraits of the Servilii, from Rome, Italy.

    • Funerary relief with portraits of the Servilii, from Rome, Italy.

    • Sculpture; Architectural sculpture; Memorial works; Tombs & sepulchral monuments; Bas-reliefs; Portraits; Families; Men; Women; Couples; Spouses; Fathers; Mothers; Children; Boys; Youth; Slaves; Servants; Women domestics; Working class;...

    • "The father (pater in the epitaph) was the libertus of Quintus Servilius (Q.L.) and took his patron’s name upon manumission (gaining freedom). His wife (uxor) was formerly a slave of a woman named Sempronia. She too assumed her patron’s...
    • Shield of Memory I.

    • Shield of Memory I.

    • Prints; Planographic prints; Monotypes; Stencils (Images); Women; Ants; Insects; Animals; Leaves; Plants; Shields; Symbols

    • Stencil monotype; “The artist is dealing with the symbolism of the shield, which represents character, protection, and strength. The image of the ant is like a totem—describing certain traits and/or tendencies—and, here, symbolizing patience....
    • Salome Dancing Before Herod.

    • Salome Dancing Before Herod.

    • Paintings; Oil paintings; Storytelling; Myths; Legends; Biblical events; Women; Dancers; Mothers; Fathers; Spouses; Couples; Families; Men; Rulers; Upper class; Older people; Executioners; Beards; Clothing & dress; Veils; Headgear; Jewelry;...

    • “Moreau has rendered Salome as an enchantress, the archetypal femme fatale who seduces Herod into performing her will. Moreau was very careful to avoid endowing the figure of Herod with any magisterial dignity but rather shows him as an old man,...
    • Sarcophagus of Cornelius Statius, front panel.

    • Sarcophagus of Cornelius Statius, front panel.

    • Sculpture; Sarcophagi; Coffins; Death & burial; Containers; Monuments & memorials; Memorial works; Inscriptions; Human life cycle; Childhood & youth; Domestic life; Child rearing; Breast feeding; Feeding; Lifting & carrying; Riding;...

    • "[…] this child's sarcophagus has been reassembled from many fragments. The front panel is, however, in fairly good condition, with a few missing pieces reconstructed from Carrara marble. […] This sarcophagus is among the earliest of the...
    • Untitled Film Still, No. 6.

    • Untitled Film Still, No. 6.

    • Photographs; Film stills; Motion pictures; Feminism; Symbols; Women; Artists; Photographers; Actors; Costumes; Fictitious characters; Daydreaming; Posing; Gestures; Leisure; Clothing & dress; Robes; Lingerie; Underwear; Mirrors; Bedsheets

    • Edition of 10. "Sherman poses as a woman daydreaming. She holds a mirror, a clichéd symbol of vanity, in one hand. Momentarily her blank stare triggers a disturbing 'double-take'. She becomes a victim of crime in a police photograph, 'killed'...
    • The Great Masturbator.

    • The Great Masturbator.

    • Paintings; Oil paintings; Symbols; Fantasy; Lust; Sex; Relations between the sexes; Fear; Disgrace; Anxiety; Distress; Women; Men; Couples; Standing; Hugging; Body parts; Genitals; Heads (Anatomy); Legs; Animals; Lions; Wild cats; Tongues; Ants;...

    • "To the right of the photograph [referring to the photograph in Dali's painting The First Days of Spring, 1929] we find the first appearance of an icon soon to proliferate in Dali's work: a waxy-complexioned head with closed eyes, long...
    • Board of Demented Associations (Fireworks).

    • Board of Demented Associations (Fireworks).

    • Paintings; Oil paintings; Symbols; Lust; Erotica; Sex; Relations between the sexes; Human body; Body parts; Women; Men; Portraits; Self-portraits; Nudes; Clothing & dress; Footwear; Shoes; Keys (Hardware); Fireworks; Firecrackers; Explosives;...

    • "The dedication reads 'Painted for Paul Éluard by his friend Salvador Dalí'. Éluard, who enjoyed his erotica as much as Dali, must have been impressed by this tour de force." (Caption); "One of his earliest ventures was Board of...
    • Imperial Monument to the Child-Woman.

    • Imperial Monument to the Child-Woman.

    • Paintings; Oil paintings; Fantasy; Symbols; Allusions; Sex; Lust; Relations between the sexes; Love; Worry; Fear; Disgrace; Anxiety; Distress; Women; Men; Couples; Spouses; Fathers; Families; Family; Faces; Heads (Anatomy); Body parts; Buttocks;...

    • "The Child-Woman is Gala, who appears here for the first time in Dali's work." (Caption); "Meanwhile, Dali had painted the first major work in which he alluded directly to the relationship with Gala that was partially to blame for...
    • Illumined Pleasures.

    • Illumined Pleasures.

    • Paintings; Oil paintings; Fantasy; Symbols; Allusions; Sex; Lust; Relations between the sexes; Fear; Disgrace; Anxiety; Distress; Psychiatry; Psychotherapy; Portraits; Self-portraits; Women; Men; Fathers; Families; Family; Spouses; Mothers; Heads...

    • "One of Dali's most Freudian paintings. Indeed, the elderly gentleman helping the lady in distress seems to be Freud himself, borrowed from [Max] Ernst's Pietà or Revolution by Night." (Caption); "Illumined Pleasures is one Dali's...
    • A Bar at the Folies-Bergere.

    • A Bar at the Folies-Bergere.

    • Paintings; Oil paintings; Men; Women; Bartenders; Entertainers; Aerialists; Acrobats; Actresses; Actors; People associated with entertainment & sports; Celebrities; Spectators; Standing; Sitting; Eating & drinking; Entertaining;...

    • "The woman in white, elbows on the rail of the balcony, is Mery Laurent […], and behind her, in beige, is Jeanne Demarsy […]." (p.478)
    • Untitled (We Won't Play Nature to Your Culture).

    • Untitled (We Won't Play Nature to Your Culture).

    • Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...

    • "Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
    • Untitled (We Have Received Orders Not to Move).

    • Untitled (We Have Received Orders Not to Move).

    • Photographs; Stats; Reproductions; Collages; Language; Slogans; Graphic design; Inscriptions; Lettering (Layout features); Advertisements; Advertising; Feminism; Women; Social aspects; Social classes; Social life; Social justice; Social values;...

    • "Given her interest in writing, it is not surprising that [Kruger] soon began to incorporate words into her art. Her new mode - large-scale black and white images reshot from scavenged photos and interpolated with a written message - debuted...
    • Inflammatory Essays, page detail.

    • Inflammatory Essays, page detail.

    • Prints; Broadsides; Broadsides; Advertisements; Advertising; Language; Communication; Communication devices; Inscriptions; Lettering (Layout features); Punctuation; Question marks

    • "Jenny Holzer extended the use of language in art to another dimension by presenting words alone; for the viewer, looking and reading became one and the same act. […] In graduate school at the Rhode Island School of Design in the mid-1970s,...
    • L.H.O.O.Q., replica, from "Boite-en-Valise, image and text.

    • L.H.O.O.Q., replica, from "Boite-en-Valise, image and text.

    • Reproductions; Paintings; Oil paintings; Portrait paintings; Portraits; Women; Clothing & dress; Hairstyles; Beards; Mustaches; Veils; Headgear; Posing; Smiling; Landscapes (Representations); Puns (Visual works); Language; Inscriptions;...

    • Replica of L.H.O.O.Q., Paris, 1919, from "Boite-en-Valise." Color reproduction of the Mona Lisa altered with a pencil; "The most famous instance of visual and verbal punning in Duchamp's work is L.H.O.O.Q., whose title is a bilingual...
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