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  • : work
(3819 results)



Display: 20

    • Interlude.

    • Interlude.

    • Paintings; Oil paintings; Portrait paintings; Portraits; Self-portraits; Men; Women; Adults; Artists; Painters (Artists); Spouses; Couples; Artists' models; Nudes; Backs (Anatomy); Clothing & dress; Shirts; Trousers; Robes; Hairstyles;...

    • "Queen Anne style chair" (p.69)
    • Painter and Models.

    • Painter and Models.

    • Paintings; Oil paintings; Men; Women; Adults; Artists; Painters (Artists); Artists' models; Nudes; Backs (Anatomy); Trousers; Standing; Sitting; Painting; Pointing fingers; Rooms & spaces; Artists' studios; Studios; Interiors; Architectural...

    • "The face of the artist in this painting is that of music critic and friend Howard Klein." (caption, p.79)
    • Painter and Models.

    • Painter and Models.

    • Paintings; Oil paintings; Men; Women; Adults; Artists; Painters (Artists); Artists' models; Nudes; Backs (Anatomy); Trousers; Standing; Sitting; Painting; Pointing fingers; Rooms & spaces; Artists' studios; Studios; Interiors; Architectural...

    • "The face of the artist in this painting is that of music critic and friend Howard Klein." (excerpt from: Lopate, Phillip, et al. John Koch: Painting a New York Life. New York: Historical Society; London: Scala, 2001, p.79)
    • In Limbo.

    • In Limbo.

    • Sculpture; Dolls; Toys; Arms (Anatomy); Legs; Heads (Anatomy); Body parts; Boxes; Containers; Surplus commodities; Commercialism; Capitalism; Economics; Industry; Commerce

    • "Whilst implicitly acknowledging the Surrealism of [Joseph] Cornell, Arman possibly evokes [Roland] Barthes's mournful vision of commodified toys as expressed in the latter's book Mythologies (1957). Barthes wrote that in the consumerist era,...
    • Young Gaul, front view.

    • Young Gaul, front view.

    • Sculpture; Portraits; Youth; Young adults; Clothing & dress; Hairstyles; Mustaches

    • Discovered in Reims (France). "This sculpture demonstrates the capacity of Roman artists to synthesize widely divergent influences and draw upon diverse styles. It shows that Roman art was capable of addressing very different concerns while...
    • Cremaster 4, film still from video.

    • Cremaster 4, film still from video.

    • Film stills; Motion pictures; Video recording; Storytelling; Fantasy; Myths; Science fiction; Metamorphosis; Supernatural; Supernatural beings; Heroes; Dandies; Men; Ears; Clothing & dress; Suits (Clothing); Corsages

    • "Here the artist aspires to a metamorphosis which hints partly at mythology, partly at science fiction. However, with mock pathos, Barney's floppy ears and dual kiss-curls inadequately match up to the four horns of the ram which the video's...
    • Red Room (Child), installation.

    • Red Room (Child), installation.

    • Sculpture; Rooms & spaces; Interiors; Fantasy; Allusions; Children; Families; Symbols; Colors; Thread; Glassware; Lanterns; Light fixtures; Lamps; Animals; Heads (Anatomy); Hourglasses; Shelving; Furniture; Pedestals

    • "The color red, connotative of intense passion, predominated in the two cramped spaces forming this installation. One important theme here was regressive psychological fantasy. But there was also a sense that ancient knowledge was being...
    • Red Room (Child), installation, detail.

    • Red Room (Child), installation, detail.

    • Sculpture; Rooms & spaces; Interiors; Fantasy; Allusions; Children; Families; Symbols; Colors; Thread; Glassware; Pedestals; Details

    • "The color red, connotative of intense passion, predominated in the two cramped spaces forming this installation. One important theme here was regressive psychological fantasy. But there was also a sense that ancient knowledge was being...
    • Untitled (Medici Princess).

    • Untitled (Medici Princess).

    • Sculpture; Boxes; Mixed media; Allusions; Photographs; Reproductions; Portraits; Girls; Children; Youth; Princesses; Upper class; Nobility; Boys; Posing; Clothing & dress; Children's clothing & dress; Dresses; Necklaces; Jewelry; Pendants...

    • "Cornell's boxes of the 1940s and 1950s consisted of achingly melancholy juxtapositions of incongruously scaled objects implying temporal and spatial poetic leaps. A Victorian child's soap bubble set would be placed against a lunar map or a...
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