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Display: 20

    • The Death of Bara.

    • The Death of Bara.

    • Paintings; Oil paintings; Storytelling; Death; Revolutions; Children; Boys; Teenagers; Youth; Revolutionaries; Spies; Nudes

    • “The following year, the heroes of the day were children. David was asked to paint Joseph Bara, the drummer who chose to die rather than shout ‘Vive le roi!’, and the young Provençal Agricol Viala. Of these two projects, one unfinished...
    • The Death of Bara, detail, head.

    • The Death of Bara, detail, head.

    • Paintings; Oil paintings; Storytelling; Death; Revolutions; Children; Boys; Teenagers; Youth; Revolutionaries; Spies; Nudes; Details

    • “The following year, the heroes of the day were children. David was asked to paint Joseph Bara, the drummer who chose to die rather than shout ‘Vive le roi!’, and the young Provençal Agricol Viala. Of these two projects, one unfinished...
    • Young Virgin Auto-Sodomized by the Horns of her Own Chastity.

    • Young Virgin Auto-Sodomized by the Horns of her Own Chastity.

    • Paintings; Oil paintings; Fantasy; Symbols; Sex; Lust; Erotica; Women; Nudes; Backs (Anatomy); Buttocks; Breasts; Shoes; Footwear; Horns (Animal); Clouds; Walls; Architectural elements; Structural elements; Railings; Shadows; Artists' signatures

    • "Dali prided himself on being the world's greatest ever painter of the female posterior." (Caption); "It was probably early in 1950 that Emmanuel Looten, a little-known Flemish poet, had made Dali the unexpected and 'gelatinous' gift...
    • Bald Eagle.

    • Bald Eagle.

    • Collages; Abstract works; Eagles; Birds; Animals

    • "In the year before Pollock's premature death, Krasner made powerful collages, possibly drawing on the huge semi-abstract 'paper-cuts' that the veteran French Modernist Henri Matisse was producing around this time. In one of these collages she...
    • Composition with Three Figures (Neo-Cubist Academy).

    • Composition with Three Figures (Neo-Cubist Academy).

    • Paintings; Oil paintings; Fantasy; Allusions; Symbols; Sex; Relations between the sexes; Lust; Gays; Martyrs; Saints; People associated with religion; Sailors; Men; Women; Bathing beauties; Portraits; Self-portraits; Nudes; Muscles; Standing;...

    • "One of Dali's greatest paintings from the mid-1920s, not exhibited since 1927. The influence of Picasso is manifest. It develops the theme of Saint Sebastian that so fascinated Lorca [Federico García Lorca] and Dali." (Caption);...
    • House.

    • House.

    • Sculpture; Houses; Row houses; Dwellings; Residential facilities; Walls; Symbols; Neighborhoods; Working class; Demolition

    • "Rachel Whiteread's House revived a taste for outrage previously brought to the fore in Britain by the Tate Bricks saga. Before its completion in October 1993 it had attracted little press interest. In November of that year, however, a...
    • The Endless Enigma.

    • The Endless Enigma.

    • Paintings; Oil paintings; Symbols; Optical illusions; Fear; Disgrace; Anxiety; Distress; Lust; Heads (Anatomy); Faces; Men; Women; Philosophers; Poets; Authors; Supernatural beings; Mandolins; Musical instruments; Beaches; Cliffs; Landscapes...

    • "The ever-present, brooding presence of Lorca [Federico García Lorca]." (Caption); "That Lorca continued to be on Dali's mind as he worked on Bacchanale is confirmed by a painting done during these months at La Pausa, The Great...
    • Dialogue on the Beach (Unsatisfied Desires).

    • Dialogue on the Beach (Unsatisfied Desires).

    • Paintings; Oil paintings; Mixed media; Allusions; Symbols; Fantasy; Communication; Fear; Disgrace; Anxiety; Distress; Loneliness; Despair; Lust; Sex; Relations between the sexes; Body parts; Human body; Genitals; Hands; Fingers; Beaches

    • "The painting they refused to show in Barcelona." (Caption); "One of the most sexually provocative of the summer's paintings was Dialogue on the Beach, whose much later title, Unsatisfied Desires, clarifies its theme. The hand on the...
    • Hand Catching Lead, film still.

    • Hand Catching Lead, film still.

    • Film stills; Motion pictures; Processes & techniques; Time; Falling; Metals; Hands; Fingers; Body parts; Locomotion; Human locomotion

    • "This 3-minute 30-second film, like others produced by Serra in the same year, related to a famous 'verb list' which he compiled in 1967-8. The verb involved in this instance is 'to grasp' but the list also included 'to roll, to crease, to...
    • Untitled, detail.

    • Untitled, detail.

    • Performance art; Signs (Notices); Stripes; Patterns (Design elements); Men; Backs (Anatomy); Clothing & dress; Suits (Clothing); Walking; Automobiles; Vehicles; Sidewalks; Trees; Plants; Details

    • "This is an early example of Buren's use of stripe motifs in a public context. He has continued the practice to the present. For instance, in 1997 in Munster, Germany, his contribution to a festival of site-specific sculpture consisted of...
    • Untitled.

    • Untitled.

    • Performance art; Signs (Notices); Stripes; Patterns (Design elements); Men; Backs (Anatomy); Clothing & dress; Suits (Clothing); Walking; Automobiles; Vehicles; Sidewalks; Trees; Plants

    • "This is an early example of Buren's use of stripe motifs in a public context. He has continued the practice to the present. For instance, in 1997 in Munster, Germany, his contribution to a festival of site-specific sculpture consisted of...
    • Metamorphosis of Narcissus.

    • Metamorphosis of Narcissus.

    • Paintings; Oil paintings; Fantasy; Optical illusions; Allusions; Symbols; Myths; Sex; Fear; Love; Self-interest; Poetry; Women; Men; Nudes; Gays; Dancers; Dance; Backs (Anatomy); Pedestals; Body parts; Hands; Fingers; Eggs; Landscapes...

    • "This is the painting Dali took to show Freud in London. It belonged formerly to Edward James." (Caption); "At Zürs […] Dali embarked on a new experiment: the composition, in French, of a 'paranoaic' poem, The Myth of Narcissus,...
    • Big Painting VI.

    • Big Painting VI.

    • Paintings; Oil paintings; Abstract paintings; Abstract works; Comic books; Comics

    • "Whilst clearly representing a critique of free expression, Lichtenstein's 'brushstrokes', like most of his other Pop works, had an exact comic-book source. They initially derived from a strip entitled 'The Painting' published in Charlton...
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