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Green & Maroon.
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Green & Maroon.
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Description
Larger Image
Larger image may be viewed by UofL faculty, staff, and students only (log-in required using ULink username/password) at:
http://echo.louisville.edu/login?url=http://vrc-web.louisville.edu/Jpegs/460/460-48.jpg
Title
Green
&
Maroon
.
Creator
Rothko, Mark (American painter, born in Russia, 1903-1970)
Date
1953
Cultural Context
American
North American
Style/Period
Abstract (fine arts style)
Abstract Expressionist
Color-field
Modern (styles and periods)
Theme
Paintings (visual works)
Oil paintings (visual works)
Abstraction
Color (perceived attribute)
Subject
Paintings
Oil paintings
Abstract paintings
Abstract works
Colors
Description
"By the
turn
of the
1950s
Rothko
had
arrived
at the
pictorial
format
which
was to
serve
him for the
rest
of his
career
;
horizontal
lozenges
of
soft-edged
color
hovering
in a
large
vertically
oriented
field
. These
clouds
of
color
were
seen
by him as
abstract
'performers'
possessing
tragic
or
ethereal
demeanors
. In a
sense
, then, they
became
stand-ins
for the
body
,
although
landscape
associations
were also
present
.
Subject-matter
therefore
continued
to be
central
to his
abstractions
but, as with
Pollock
, a
radical
'veiling'
of the
personal
was
enacted
in
favor
of
primal
or
transcendent
invocations.
"
(Excerpt
,
p
.
23)
; "In
Rothko's
abstractions
the
bounds
of
physical
contingency
were
evacuated
in
favor
of a
glimpse
of
impersonal
,
cosmic
imperatives
. The
scale
of the
works
was
calculated
so
that
spectators
could
measure
their
physical
size
against
the
colored
masses
. This
could
lead
to the
feeling
of
being
enveloped
or
transported
out
of the
body.
"
(Caption
,
p
.
23)
Material
Oil on canvas
Oil paint (pigmented coating)
Paint
Canvas
Measurements
231.8 x 139.1 cm
Technique
Oil painting (technique)
Painting (image-making)
Work Type
Oil paintings
Paintings
Abstract paintings
Abstract works
Source
Hopkins, David. After Modern Art: 1945-2000. Oxford History of Art. Oxford; New York: Oxford UP, 2000. (p.22, fig.11).
Rights
Reproduced in Hopkins courtesy of the Phillips Collection, Washington, DC. Acquired 1957. © ARS, NY, and DACS, London, 2000. (1664)
Digital Publisher
University of Louisville Department of Fine Arts/Allen R. Hite Art Institute Visual Resources Center
Format
image/jpeg
Digital File Name
VRC
460-48.jpg
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