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July 1983.
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July 1983.
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Description
Larger Image
Larger image may be viewed by UofL faculty, staff, and students only (log-in required using ULink username/password) at:
http://echo.louisville.edu/login?url=http://vrc-web.louisville.edu/Jpegs/820/826-22.jpg
Title
July
1983
.
Alternative Title
July
.
Creator
Richter, Gerhard (German painter, born 1932)
Date
1983
Cultural Context
German
European
Western European
Style/Period
Abstract (fine arts style)
Contemporary
Postmodern
Theme
Paintings (visual works)
Oil paintings (visual works)
Abstraction
Expression
Subject
Paintings
Oil paintings
Abstract paintings
Abstract works
Description
"In the
mid-1980s
Richter
produced
abstract
paintings
as
well
as
realist
'photo-paintings'
.
[…]
he
appeared
here to be
recapitulating
the
ideological
options
underpinning
postwar
modernism
in
so
far
as his
own
transplantation
from
Eastern
to
Western
Europe
had been
paralleled
by an
imperative
to
favor
abstract
artistic
modes
over
realist
ones
.
[…]
Richter's
abstractions
also
appeared
to
mock
the
modes
of
expressionist
brushwork
blithely
revisited
by
Neo-Expressionist
contemporaries
.
However
,
Richter
complicated
matters
here by
asserting
that his
abstractions
were
concerned
with
expressing
the
'transcendental'
or
'inexplicable'
.
[…]
Looking
at
July
(1983)
one
needs
to be
aware
that
Richter
had
painted
related
abstractions
in the
late
1970s
from
photographs
of his
own
paintings
, but by this
point
was
overlaying
free
brushwork
onto
smooth
,
photo-derived
,
abstract
grounds
. The
effect
is
that of
looking
into
some
form
of
photographically
illusionistic
space
, in
which
brushstrokes
,
either
directly
applied
or
'depicted'
in
incongruous
scale
,
usurp
the
places
of
figures
or
landscape
features
. The
Surrealist
Salvador
Dali
once
asserted
that he
wished
to
make
'hand
colored
dream
photographs'
.
However
,
rather
than
depicting
dreams
(which
are
impalpable)
Richter
paradoxically
depicts
'expression'
,
locating
it
in the
lurid
photo-reality
envisaged
by
Dali
.
We
are
given
dizzying
access
into the
very
interstices
of
representation.
"
(Excerpts
,
pp.217-219)
Material
Oil on canvas
Oil paint (pigmented coating)
Paint
Canvas
Measurements
250 x 250 cm
Technique
Oil painting (technique)
Painting (image-making)
Work Type
Paintings
Oil paintings
Abstract paintings
Abstract works
Repository
Private collection
Source
Hopkins, David. After Modern Art: 1945-2000. Oxford History of Art. Oxford; New York: Oxford UP, 2000. (p.218, fig.113)
Digital Publisher
University of Louisville Department of Fine Arts/Allen R. Hite Art Institute Visual Resources Center
Format
image/jpeg
Digital File Name
VRC
826-22.jpg
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