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Evadne in Green Dimension.
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Evadne in Green Dimension.
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Description
Larger Image
Larger image may be viewed by UofL faculty, staff, and students only (log-in required using ULink username/password) at:
http://echo.louisville.edu/login?url=http://vrc-web.louisville.edu/Jpegs/820/826-25.jpg
Title
Evadne
in
Green
Dimension
.
Creator
Paolozzi, Eduardo Luigi (British sculptor and printmaker, 1924-2005)
Date
1952
Cultural Context
British
European
Theme
Collages (visual works)
Found objects
Imagery
Popular culture
Advertisements
Advertising
Sex
Sexuality
Phallic
Genitals (animal or human components)
Male
Diagrams
Drawings (visual works)
Figurative art
Figures (representations)
Front views
Three-quarter views
Oblique views
Profiles (figures)
Men (male humans)
Women
Adults
Models (people)
Pinups
Costume (mode of fashion)
Underwear
Underpants
Briefs (underpants)
Bikinis (underwear)
Bathing suits
Tank suits
Food
Fruit
Automobiles
Sedans
Passenger vehicles
Vehicles (transportation)
Tires
Side views
Words
Text (layout feature)
Lettering (layout features)
Letters (signs)
Capital letters
Punctuation marks
Typefaces (type forms)
Numbers
Numerals
Subject
Collages
Commercialism
Advertisements
Advertising
Lust
Sex
Genitals
Body parts
Diagrams
Drawings
Men
Women
Passengers
People associated with transportation
People associated with entertainment & sports
Strong men
Muscles
Glamour photographs
Bathing beauties
Posing
Lifting & carrying
Clothing & dress
Underwear
Bathing suits
Food
Strawberries
Fruit
Pies
Automobiles
Vehicles
Vehicle components
Tires
Lettering (Layout features)
Punctuation
Numerals
Description
"In this
collage
elements
such
as
Charles
Atlas
and the
diagrammatized
penis
were
pasted
over
a
female
'art'
pinup
(the
'Evadne
in
Green
Dimension'
of the
work's
title)
, as
though
allegorizing
the
artist's
arousal.
"
(Caption
,
p.96)
; "The
IG's
(Independent
Group's)
breadth
of
reference
was
dramatized
in
two
early
events
. The
first
,
now
accorded
an
originary
mythic
status
, was a
Surrealistic
epidiascope
lecture
delivered
in
1952
by the
Scottish-born
sculptor
Eduardo
Paolozzi
which
galvanized
colleagues
with its
flood
of
heterogeneous
imagery
from
pulp
and
commercial
sources
. The
materials
shown
, a
set
of
collages
with the
generic
title
'Bunk'
, were not
even
considered
'art'
by
Paolozzi
until
1972
when
they were
incorporated
into
silkscreen
designs.
"
(Excerpt
,
p.97)
People Pictured
Atlas, Charles, 1893-1972
Material
Collage on paper
Paper (fiber product)
Found objects
Technique
Collage (technique)
Inscription
Top left of collage: BUNK!; Lower left of collage: EVADNE IN GREEN DIMENSION; Lower right of collage: 1945
Work Type
Collages
Repository
Victoria and Albert Museum (London, England, United Kingdom)
Source
Hopkins, David. After Modern Art: 1945-2000. Oxford History of Art. Oxford; New York: Oxford UP, 2000. (p.96, fig.45)
Rights
Photograph reproduced in Hopkins courtesy: Board of Trustees of Victoria and Albert Museum, London. © Eduardo Paolozzi, 2000, all rights reserved, DACS. (19784)
Digital Publisher
University of Louisville Department of Fine Arts/Allen R. Hite Art Institute Visual Resources Center
Format
image/jpeg
Digital File Name
VRC
826-25.jpg
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