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Portrait of V.I. Lenin by V. Charangovich (1970) in the Style of Jackson Pollock II.
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Portrait of V.I. Lenin by V. Charangovich (1970) in the Style of Jackson Pollock II.
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Description
Larger Image
Larger image may be viewed by UofL faculty, staff, and students only (log-in required using ULink username/password) at:
http://echo.louisville.edu/login?url=http://vrc-web.louisville.edu/Jpegs/820/826-26.jpg
Title
Portrait
of
V.I
.
Lenin
by
V
.
Charangovich
(1970)
in the
Style
of
Jackson
Pollock
II
.
Creator
Art & Language (British group of artists, founded 1968)
Date
1980
Cultural Context
British
European
Style/Period
Conceptual
Abstract (fine arts style)
Contemporary
Theme
Paintings (visual works)
Pastiches
Conceptual art
Abstraction
Figurative art
Figures (representations)
Portraits
Profiles (figures)
Three-quarter views
Oblique views
Heads (representations)
Heads (animal or human components)
Faces (animal or human components)
Men (male humans)
Politicians
Revolutionaries
Activists
Leaders (people)
Subject
Paintings
Abstract works
Abstract paintings
Portrait paintings
Portraits
Heads (Anatomy)
Faces
Men
Politicians
Government officials
People associated with politics & government
Activists
Revolutionaries
Beards
Description
"
Look
closely
at the
image
[…]
.
It
appears
to be an
icon
of
postwar
experimental
art
-
an
early
1950s
abstraction
by the
American
painter
Jackson
Pollock
.
However
,
read
the
caption
and
it
is
revealed
to be a
pastiche
by
Art
&
Language
, a
group
of
post-1960s
Conceptual
artists
. In
many
ways
it
encapsulates
the
politics
underpinning
the
subject
of this
chapter
, the
rise
of
Modernism
after
the
Second
World
War
.
[…]
Give
the
image
a
couple
of
seconds
, and
something
reveals
itself
among
the
abstract
brushstrokes
:
Lenin's
leftward-inclined
profile
, with
familiar
pointed
beard
. This
peculiar
marriage
of
styles
is
clearly
bound
up
with
two
divergent
artistic
principles
;
realism
and
abstraction
. In the
immediate
postwar
years
these were the
dominant
aesthetic
orientations
linked
to the
cultural
climates
of the
world's
most
powerful
political
rivals
.
Communist
Russia
favored
legible
Socialist
Realism
for a
collective
audience
,
whilst
capitalist
America
and
Western
Europe
in
general
attached
considerable
cultural
kudos
to the
notion
of a
difficult
or
'avant-garde'
art
.
Like
Art
&
Language's
hidden
image
of
Lenin
, the
art
of
postwar
Russia
and
Eastern
Europe
is
'invisible'
in the
pages
that
follow
. But the
aesthetic
and
ideological
alternatives
it
represented
continued
to be
strangely
active
,
usually
at a
submerged
level
. The
direction
of
American
and
European
art
in the
early
Cold
War
years
was
haunted
by
discarded
options.
"
(Excerpt
,
p.5)
People Pictured
Lenin, Vladimir Il’ich, 1870-1924
Material
Enamel and cellulose paint on canvas
Enamel paint
Paint
Canvas
Measurements
293 x 210 cm
Technique
Painting (image-making)
Work Type
Paintings
Abstract paintings
Abstract works
Conceptual art
Repository
Lisson Gallery (London, England, United Kingdom)
Source
Hopkins, David. After Modern Art: 1945-2000. Oxford History of Art. Oxford; New York: Oxford UP, 2000. (p.6, fig.1)
Rights
Photo: Gareth Winters. Reproduced in Hopkins courtesy of the Lisson Gallery, London.
Digital Publisher
University of Louisville Department of Fine Arts/Allen R. Hite Art Institute Visual Resources Center
Format
image/jpeg
Digital File Name
VRC
826-26.jpg
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