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Khafre, three-quarter view, left side.
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Khafre, three-quarter view, left side.
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Description
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Title
Khafre
,
three-quarter
view
,
left
side
.
Date
2520-2494 BCE?
Cultural Context
Egyptian
Ancient Egyptian
African
North African
Middle Eastern
Style/Period
Egyptian (ancient)
Old Kingdom (Egyptian)
Fourth Dynasty
Theme
Sculpture (visual work)
Statues
Figurative art
Figures (representations)
Ideal, the
Three-quarter views
Oblique views
Front views
Men (male humans)
Pharaohs
Kings (people)
Royalty
Rulers (people)
Leaders (people)
Monarchs
Costume (mode of fashion)
Kilts
Shendyts
Loincloths
Headdresses
Headgear
Snakes
False beards
Uraeus
Thrones
Chairs (furniture forms)
Ceremonial chairs
Seating furniture
Furniture
Sitting
Reliefs (sculptures)
Bas-reliefs (sculpture)
Plants (vegetation)
Vegetation
Lotus (motif)
Animals
Wild animals
Wildlife
Lions
Birds
Gods
Myths (literary documents)
Mythology (literary genre)
Legends (folk tales)
Folk tales
Folklore
Motifs
Stylization
Symbols
Symbolism (artistic concept)
Power
Subject
Sculpture
Men
Kings
Rulers
People associated with politics & government
Muscles
Clothing & dress
Headdresses
Headgear
Cobras
Snakes
Reptiles
Beards
Thrones
Chairs
Seating furniture
Furniture
Sitting
Bas-reliefs
Plants
Animals
Lions
Wild cats
Birds
Falcons
Gods
Myths
Legends
Supernatural beings
Fictitious characters
Symbols
Power (Social sciences)
Description
From
Gizeh
,
Egypt
,
Dynasty
IV
. "The
seated
statue
of
Khafre
is
one
of a
series
of
similar
statues
carved
for the
pharaoh's
valley
temple
near
the
Great
Sphinx
. The
stone
is
diorite
, an
exceptionally
hard
dark
stone
brought
some
400
miles
down
the
Nile
from
royal
quarries
in the
south
.
[…]
Khafre
wears
a
simple
kilt
and
sits
rigidly
upright
on a
throne
formed
of
two
stylized
lions'
bodies
.
Intertwined
lotus
and
papyrus
plants
-
symbol
of the
united
Egypt
-
are
carved
between
the
throne's
legs
. The
falcon-god
Horus
extends
his
protective
wings
to
shelter
the
pharaoh's
head
.
Khafre
has the
royal
false
beard
fastened
to his
chin
and
wears
the
royal
linen
nemes
headdress
with the
uraeus
cobra
of
kingship
on the
front
. The
headdress
covers
his
forehead
and
falls
in
pleated
folds
over
his
shoulders
.
(The
head
of the
Great
Sphinx
is
similarly
attired.)
As
befitting
a
divine
ruler
,
Khafre
is
shown
with a
well-developed
,
flawless
body
and a
perfect
face
,
regardless
of his
actual
age
and
appearance
. The
Egyptians
considered
ideal
proportions
appropriate
for
representing
imposing
majesty
, and
artists
used
them
quite
independently
of
reality
. This and
all
other
generalized
representations
of the
pharaohs
are not
true
portraits
and were not
intended
to be. Their
purpose
was not to
record
individual
features
or the
distinctive
shapes
of
bodies
, but
rather
to
proclaim
the
godlike
nature
of
Egyptian
kingship
.
[…]
The
seated
king
radiates
serenity
. The
sculptor
created
this
effect
,
common
to
Egyptian
royal
statues
, in
part
by
giving
the
figure
great
compactness
and
solidity
, with
few
projecting
,
breakable
parts
. The
form
manifests
the
purpose
: to
last
for
eternity
.
Khafre's
body
is
attached
to the
unarticulated
slab
that
forms
the
back
of the
king's
throne
. His
arms
are
held
close
to the
torso
and
thighs
, and his
legs
are
close
together
and
connected
to the
chair
by the
stone
the
artist
chose
not to
remove
. The
pose
is
frontal
,
rigid
, and
bilaterally
symmetrical
(the
same
on
either
side
of an
axis
, in this
case
the
vertical
axis)
. The
sculptor
suppressed
all
movement
and with
it
the
notion
of
time
,
creating
an
eternal
stillness.
"
(Excerpt
,
p.65)
People Pictured
Khafre, King of Egypt, r.2520-2494 BCE
Horus (Egyptian deity)
Material
Diorite
Rock
Stone (rock)
Measurements
Approx. 5' 6" high
Technique
Sculpting
Carving (processes)
Work Type
Sculpture
Statues
Repository
Egyptian Museum (Cairo, Egypt)
Source
Kleiner, Fred S., and Christin J. Mamiya. Gardner's Art Through the Ages. 12th ed. Belmont, CA: Thomson/Wadsworth, 2005. (fig.3-12, p.65)
Rights
Photo credit/reproduced in Kleiner courtesy: Araldo de Luca.
Digital Publisher
University of Louisville Department of Fine Arts/Allen R. Hite Art Institute Visual Resources Center
Format
image/jpeg
Digital File Name
VRC
825-22.jpg
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