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Diptych leaf of Consul Areobindus, from Constantinople (Turkey).
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Diptych leaf of Consul Areobindus, from Constantinople (Turkey).
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Description
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Title
Diptych
leaf
of
Consul
Areobindus
, from
Constantinople
(Turkey)
.
Date
506
Cultural Context
Roman
Byzantine
Turkish
Style/Period
Byzantine
Theme
Sculpture (visual work)
Reliefs (sculptures)
Diptychs
Consular diptychs
Commemoratives
Panels (ornament areas)
Figurative art
Figures (representations)
Front views
Portraits
Busts
Half figures
Men (male humans)
Consuls
Public officers
Magistrates
Officers (administrators)
Administrators
Politicians
Costume (mode of fashion)
Hairstyles
Scepters
Ceremonial objects
Symbolism (artistic concept)
Symbols
Monograms
Medallions (ornament areas)
Lozenges
Foliation (pattern)
Scrolling foliage
Patterns (design elements)
Subject
Sculpture
Diptychs
Commemorations
Portraits
Men
Consuls
Government officials
Politicians
People associated with politics & government
Clothing & dress
Hairstyles
Scepters
Ceremonial objects
Symbols
Monograms
Medallions (Ornament areas)
Patterns (Design elements)
Description
"The
Louvre
diptych
was
produced
in
506
A.D
., on the
occasion
of the
consulate
of
Areobindus
.
[…]
An
exceptionally
high
number
of
diptychs
and
panels
in his
name
remain
:
two
complete
diptychs
and
five
individual
panels
.
[…]
The
Areobindus
panels
correspond
to
three
iconographic
types
. The
first
depicts
the
consul
presiding
over
circus
games
. The
second
,
which
includes
the
Louvre
diptych
,
features
a
bust
of the
Consul
within
a
medallion
. The
third
features
two
horns
of
plenty
crossed
over
a
basket
spilling
over
with
fruit
and
is
represented
by a
single
panel
in the
Lucca
cathedral
.
[…]
Most
of the
other
diptychs
dating
from the
sixth
century
are of the
first
two
iconographic
types
,
which
have the
most
symbols
of the
consular
office
. Those
diptychs
that
represent
the
consul
always
portray
him
-
as
is
the
case
here
-
wearing
the
trabea
picta
. In
one
hand
he
holds
the
two
essential
signs
of his
office
, the
scepter
and the
mappa
, a
piece
of
cloth
consuls
waved
to
signal
the
beginning
of the
circus
games
[…]
. On the
Louvre
diptych
, the
medallion
featuring
the
consul's
bust
sits
in the
center
of a
large
lozenge
formed
by
branches
with
stylized
leaves
that
evoke
, in
particular
, the
same
ornaments
used
in
early
sixth-century
sculpture
in
Constantinople
.
Above
and
below
the
medallion
, the
consul's
monogram
, in
Greek
lettering
,
is
carved
in
high
relief.
"
(Excerpt
from
catalogue
entry
by
Jannic
Durand
,
p
.
67)
.
Gift
1951
,
formerly
in the
Settala
collection
in
Milan
(1759)
, the
Trivulzio
collection
(1773)
, the
Possenti
collection
in
Fabriano
, the
Lord
Crawford
collection
in
Rome
(1892)
, the
Trivulzio
collection
in
Milan
(1929)
, the
Montesquiou-Fezensac
collection
(1934)
(DEPARTMENT
OF
DECORATIVE
ARTS
,
INV
.
OA
9525)
Material
Elephant ivory
Ivory (tooth component)
Measurements
H: 13 3/8 in (34 cm); W: 4 5/8 in (11.9 cm); D: 3 1/2 in (9 cm)
Technique
Sculpting
Carving (processes)
Relief (sculpture techniques)
Inscription
Above and below the medallion, the consul's monogram, in Greek lettering, is carved in high relief.
Work Type
Sculpture
Diptychs
Reliefs (sculptures)
Repository
Musee du Louvre (Paris, France)
Source
Giroire, Cecile, and Daniel Roger. Roman Art from the Louvre. New York: American Federation of Arts in assoc. with Hudson Hills Press, 2007. (p.[66], cat.13).
Rights
Photographs of the works in the exhibition reproduced in Giroire courtesy: Copyright © 2007 Musee du Louvre and the American Federation of Arts/Anne Chauvet, Daniel Lebee, and Carine De Ambrosis.
Digital Publisher
University of Louisville Department of Fine Arts/Allen R. Hite Art Institute Visual Resources Center
Format
image/jpeg
Digital File Name
VRC
762-04.jpg
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